Immortality, Inc. by Robert Sheckley

MMRTLNC1959.jpgI almost never read science fiction, but one of the good things about the Audible Plus catalogue is that I can explore all manner of books that I probably wouldn’t race to pay money for or have taking up shelf space. And at some point I stumbled across Robert Sheckley’s 1959 novel Immortality, Inc. and added it to my downloads – and listened to it last week.

From the Wikipedia page (and, indeed, the fact that the novel has a Wikipedia page at all), I get the impression that Immortality, Inc. is well-known in certain circles. I was drawn to it because time travel is one of the bits of sci-fi that I find fascinating, and the title made me think of Paul Gallico’s intriguing novel The Foolish Immortals, about a scam to fool people into thinking they have immortality.

At first, Thomas Blaine doesn’t have immortality – he simply has his lifespan moved dramatically forward. The novel opens with a car crash in 1958 – his car careers out of control, the steering wheel comes off, and he is killed instantly – impaled on the steering column, which is quite the detail. But then he wakes up. It hasn’t been a dream – he’s just been in a coma.

At first, he is simply confused – and the medical staff, reporters, and business people around him are not providing any answers. It is more important that he answers their questions: about what he is experiencing, how he feels about it etc. It turns out that he is at the centre of a publicity campaign for the organisation that has made this time travel possible. Their priority is getting good footage of his awakening, rather than explaining what’s going on.

What’s going is that it’s 2110. Sheckley gradually introduces us to the changes that have taken place over 150 years – some of which are quite dispiriting. One of the first things Blaine sees is a long queue, and he thinks he ought to join it, but soon realises it is a line for a suicide booth.

In 2110, thoughts about what being alive means have changed significantly, as have the corresponding scientific abilities. Blaine is living in a body that belonged to somebody else, a strong and muscular young man, and he quickly finds that there is a trade for bodies. Minds are transferred between bodies, either from people who willingly choose to die or from people who are trafficked. Then there are zombies, who occupy bodies that are about to die.

Where does the immortality come in? That is the afterlife – something that has been scientifically proved, but which is only entered naturally with a one-in-a-million chance. Otherwise you have to buy your way in. Inequality hasn’t disappeared. Quite the opposite.

It’s curious, given the whole scope of human imagination that Sheckley could have developed, that he is most fixated on mortality. There are scenes where Sheckley has to fight for his life, where his mind or body are at risk of being stolen, where he needs to kill others. It does all give a (literal) vitality to the novel that would have been lost if it were crammed instead with fanciful scientific inventions that have no real urgency. Perhaps that’s why this novel appeals to this sci-fi sceptic – because it is about the essentials of life, and the trappings of a fictional future don’t get in the way of that too much.

Oh, and there’s a romance plot. Because of course there is.

It’s interesting to read a novel written in the 1950s about the 2110s. We are still closer to the 1950s, but of course a lot of time has passed since Sheckley wrote his futuristic vision. Some details about 2110 thus seem amusingly old-fashioned – and not just references to Abyssinia and Ceylon. Of course, he couldn’t have been expected to come up with the idea of the internet, but the modes of communication and broadcast feel more 1950s than any decade since.

Overall, I really enjoyed Immortality, Inc. At the heart of it is a confused man trying to work out what’s going on, and that’s usually a good vehicle for a reader who is also confused and trying to work it out. We can share his fascination, both amused and horrified in turn, and there is a pleasing simplicity to the survival dramas he undergoes. Naturally I won’t spoil the conclusion, but it ties up the narrative neatly and makes sense of various parts of the plot that seemed a little odd along the way.

I don’t think it has tempted me to dive headfirst into science fiction, but I enjoyed my sojourn there.

An update on British Library Women Writers series

I am so behind with updating you on what’s going on with the British Library Women Writers series! There is good news, bad news, and some more good news.

No more Angela Milne… for now

Let’s start sombrely with the bad news. A while ago I announced that One Year’s Time by Angela Milne would be published this autumn – there was even a lovely cover designed. But sadly the British Library have been unable to trace the family and, because the book is still in copyright, they’ve decided against publishing it for the time being. (Publishers can risk publishing a book if every effort has been made to track down the copyright holders, but the British Library is understandably a bit cautious on this front.) If the family do turn up, then it might still be printed – so if, by any remote chance, you know a relative of Angela Milne – please get them to get in touch with the British Library!

It is a shame, because One Year’s Time is a wonderfully witty, interesting book about a woman’s romantic and work life – an insight into office work in the mid-century that we don’t often see in novels like this. And the dialogue has a beautifully Coward-esque spark. AND I don’t even have a copy myself, it’s so hard to track down. Maybe one day??

War Among Ladies by Eleanor Scott, Simon Thomas | Waterstones

A brilliant novel about schoolteachers

But the GOOD news is that Eleanor Scott’s War Among Ladies (1928) is now published! She is known for her horror stories (that the British Library have also published), but this is a novel set in a school. The girls don’t get much of a look in – it’s really about the teachers. Chief among these are Miss Cullen and Viola Kennedy. The portrait we get of Miss Cullen is not an encouraging one:

Her hideous home-mage dress of brown casement cloth strained across her square, sturdy body and hung in ungainly folds above the thick ankles and flat, broad shoes. It was an odd face, as so many faces when you look into them. The skin, reddened and rough, and slack now from want of exercise and years of unhealthy life, stretched tightly across the high, narrow forehead, where no stray line of hair softened the angularity, and sagged beneath the eyes and long, weak, protruding chin. The mouth, set a little open, smiled perpetually, anxiously. The restless eyes, behind strong spectacles, darted suspicious glances, or stared defiantly; they were uneasy, alarmed, defensive. It was a face that sought, in the fashion of thirty years ago, by strained hair, steel-rimmed glasses and protruded jaw, to appear strong; and it was, in every line, weak, distrustful, afraid.

She is disliked intensely by her colleagues – partly for her timid neediness, but also because she is a terrible teacher, who inspires neither respect nor enthusiasm from her pupils. And in the system of the school (and presumably of other 1920s schools), if you fail one subject, you fail them all. And almost everyone fails Miss Cullen’s French classes. In the novel, we see the school in crisis. But Miss Cullen can’t retire, even though she is only a few years away from retirement age, because in the 1920s this meant forfeiting your pension and all the money you’ve put into it.

As Miss Cullen’s career lurches uncertainly towards an end, Viola Kennedy’s is beginning. She is a bit of an idealist, and trying to work out how she fits into this school – whom to befriend and whom to distrust. And what happens when a small town is swift to judge a newcomer.

War Among Ladies is often quite a sad novel, but it is so masterfully done that it’s somehow still a joy to read. It’s the first title since My Husband Simon and The Tree of Heaven that I haven’t suggested to the British Library – but I’m pleased to say that I think it’s every bit as good as the much-loved novels I’ve recommended. Don’t just take my word for it – here are Lil’s thoughts.

 

Christmas stories coming soon!

And the next bit of good news is that there is a Christmas collection of short stories coming out! I’ll confess that I didn’t have a huge amount to do with selecting these, because it involved a lot of rummaging through old periodicals in the library – and that’s not easy to do when you have a full-time job elsewhere. I’ve suggested one or two (including something from recently-reviewed Excuse It, Please! by Cornelia Otis Skinner) but it’s mostly down to the good people at the British Library.

It’s a real range, from some of the most respected short story writers ever all the way to magazine stories that everyone involved probably thought would disappear. They’re cleverly arranged as a chronology through the Christmas period – from Christmas shopping through to New Year. Plenty to enjoy, and easy to give as a pressie – it’ll be published towards the end of October, I believe!

Stories for Christmas and the Festive Season: British Library Women Writers Anthology: 18: Amazon.co.uk: Simon Thomas (ed.): 9780712354523: Books

Tea or Books? #109: Boarding House Novels vs Living Alone and Heat Wave vs Heat Lightning

Penelope Lively, Helen Hull, boarding houses and isolation – welcome to episode 109!

In the first half of this episode, Rachel and I compare boarding houses novels and novels where people live alone – up to and including complete isolation. The blog post by Jacqui that I mentioned is on her blog.

In the second half, we pit two novels set during heatwaves against each other – Heat Wave by Penelope Lively and Heat Lightning by Helen Hull. It was hot when I read them, even though it definitely isn’t now.

Do get in touch at teaorbooks[at]gmail.com with suggestions or questions. You can listen above, on Spotify, wherever you get podcasts. And you can support the podcast and get bonus content (and the podcast a couple of days early) through Patreon.

The books and authors we mention in this episode are:

The Flowering Thorn by Margery Sharp
Four Gardens by Margery Sharp
How Green Was My Valley by Richard Llewellyn
Hilary Mantel
Speedy Death by Gladys Mitchell
Parnassus on Wheels by Christopher Morley
The Haunted Bookshop by Christopher Morley
The Girls of Slender Means by Muriel Spark
Barbara Pym
Paying Guests by E.F. Benson
The Slaves of Solitude by Patrick Hamilton
Of Love and Hunger by Julian McLaren-Ross
House of Dolls by Barbara Comyns
School for Love by Olivia Manning
The Boarding House by William Trevor
The L-Shaped Room by Lynne Reid Banks
The Magnificent Spinster by May Sarton
Lolly Willowes by Sylvia Townsend Warner
Gentleman Overboard by Herbert Clyde Lewis
The Wall by Marlen Haushofer
The Scapegoat by Daphne du Maurier
Begin Again by Ursula Orange
Living Alone by Stella Benson
The Lonely Passion of Judith Hearne by Brian Moore
Murder Underground by Mavis Doriel Hay
Yellow by Janni Visman
Summer by Ali Smith
Late and Soon by E.M. Delafield
A Helping Hand by Celia Dale
The True Deceiver by Tove Jansson

Six Degrees of Separation: From Notes on a Scandal to The Heir

It’s not often that I’ve read the starting book for the regular meme of a Six Degrees of Separation post (from Kate at Books Are My Favourite and Best) – but, when the stars align, I can’t resist joining in. As Kate says – ‘Start at the same place as other wonderful readers, add six books, and see where you end up.

Notes on a Scandal by Zoë Heller | Goodreads

Starting book: This month, things kick off with Notes on a Scandal by Zoë Heller. It was published in 2003, and for a while it was the book that every book group had to read – that’s where I read it. It tells of an affair between a female schoolteacher and a teenage boy, told from the perspective of an older schoolteacher who is a little prurient, and a lot possessive and lonely. It’s a tour de force.

Iris: A Memoir of Iris Murdoch (Book 1 in the Iris trilogy): Amazon.co.uk: John  Bayley: 9780715643259: Books

1st degree of separation: One of Judi Dench’s Oscar nominations came for playing the older schoolteacher in the 2006 film of Notes on a Scandal – so my next choice is another role she got an Oscar nomination for (and, for my money, her best performance): Iris, based on Iris by John Bayley. It’s a biography of Iris Murdoch by her husband. It faced some criticism for exposing Iris Murdoch when she couldn’t give informed consent, but I think it is done with affection and courage.

Rosamund Taylor's review of A Writer's Diary: Being Extracts from the Diary  of Virginia Woolf

2nd degree of separationA Writer’s Diary by Virginia Woolf has also attracted some criticism over the years – not for what Virginia Woolf wrote, but because it was edited by her husband Leonard. It’s all the diary entries that deal with writing from a much larger series of diaries (which has since been published in five volumes, unabridged). I can see why people thought Leonard was editorialising too much, but I think A Writer’s Diary is an extraordinary work. Woolf’s insights into writing are little short of miraculous, and her parallel preoccupation with external validation (and financial success) are a reminder that artistic genius doesn’t exist in a vacuum.

Keeping Up Appearances by Rose Macaulay

3rd degree of separation: You could go in any number of directions from Virginia Woolf, but I’m going to go for a novel that is also preoccupied with how novels are evaluated – how they are received by critics and by different echelons of the public: Keeping Up Appearances by Rose Macaulay. One of the main characters is a writer of low-to-middlebrow novels, who is fascinated by the way she is adored by some parts of society, ignored by others, and with seemingly no way to objectively determine quality.

4th degree of separationKeeping Up Appearances got me thinking about novels about sisters who take different paths from each other – and that, in turn, got me thinking about The Easter Parade by Richard Yates. In it, we watch Emily and Sarah Grimes grow up, both drawn beautifully by Yates but both, as we are warned in the opening line, ‘Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents’ divorce.’

A House in the Country: Adam, Ruth + Free Delivery

5th degree of separation: I’ve gone with another book that tells you in the opening lines that the book won’t have a happy outcome. This memoir (or heavily autobiographical novel) opens ‘This is a cautionary tale, and true. Never fall in love with a house. The one we fell in love with wasn’t even ours. If she had been, she would have ruined us just the same.’ And the book is the brilliant A House in the Country by Ruth Adam – which is much more amusing than the Yates, or than the opening line might make you think.

The Heir (Modern Voices): Amazon.co.uk: Vita Sackville-West: 9781843914488:  Books

6th degree of separation: And finally – a book where someone falls in love with an enormous house against their better judgement, though this story turns out more better: it’s Vita Sackville-West’s beautiful novella The Heir, inspired by love for her ancestral home Knowle (which, as a woman, she could not inherit).

What fun!