StuckinaBook’s Weekend Miscellany

Happy weekend, everyone! I have lost my voice! It now seems to be a stage I get during most colds, which is super fun. It means a bit of a delay to ‘Tea or Books?’, which is probably fine because I haven’t finished the books yet. And that’s because I’ve been knee-deep in books for the 1929 Club – which starts on Monday. For those new to a club year, Karen and I invite everyone to read books published in the same year and review them wherever you post things – on your blog, on GoodReads, on Instagram, in a comment section – anywhere! Together we build up a picture of a year. And 1929 is promising to be, as ever, a really interesting one.

But, before that, here’s a book, a link, and a blog post.

1.) The blog post Ali has written about the latest British Library Women Writers book, War Among Ladies by Eleanor Scott, and (spoilers) she liked it a lot.

2.) The link – Barbara Kingsolver has a new novel out, and I enjoyed reading the books of her life over at the Guardian.

3.) The book – It won’t be for everyone, but I am very interested in reading comedian Rob Delaney’s A Heart That Works – a memoir, if that’s the right word, about the illness and death of his young child Henry.

Project 24: 15, 16, 17, 18

I’m a bit behind with updates on Project 24, but I have been adding to my piles – including a couple of books arriving through the post this week. I’ve only got six books left for the year, but that makes me more or less on track for success. The four books I’ve bought in the past month offer quite a cross-section of the different reasons that books would make it to the top of my wishlist. And here they are…

Jim Comes Home by Frank Tilsley

I don’t actually know anything about Frank Tilsley or this novel, but I chose it for a couple of reasons. I was spending the weekend in Brussels, visiting a friend, and I like to buy a book as a souvenir of a new place – particularly a foreign country. Usually I aim to buy a book by someone from that country (in an English translation), but couldn’t find one that appealed. Instead, this jumped out: I like that this is a book from the Albatross Modern Library (which are very pleasing to the eye under any circumstances), and particularly that it has ‘Bruxelles’ on the cover. Most amusing is the note saying ‘not to be introduced into the British Empire or the USA’. Sorry, publishers, I have introduced it into Britain!

This is part of the description of the novel from the inside flap, which suggested to me that it would be very up my street, souvenirring-aside:

The scene of this novel by Frank Tilsley is a pleasant country village near the sea to which Jim comes home on seven days’ leave. The theme of the book is why he couldn’t go back. It tells of the loyalties and claims of family life, of the nagging day-to-day worries which beset the ordinary man and woman when faced by such overwhelming forces as war, of the deep emotions which lie hidden behind the outward calm so typical of the English character.

More Joy in Heaven by Sylvia Townsend Warner

The green hardback in the picture is More Joy in Heaven, an early collection of short stories by Warner and much harder to find than any of the other collections. I’ve had a wish alert for it at abebooks for a while – this one was more than I’d usually spend on a book, but Project 24 is a great opportunity to invest in those hard-to-find titles that need slightly deeper pockets. I’ve said it a few times here, but Warner’s naturalistic short stories show her writing at its finest – and are, in my opinion, much better than almost all her novels.

Fifty Forgotten Books by R.B. Russell

I mentioned this one a while ago in a Weekend Miscellany – it’s a new book of essays about forgotten books. Having looked through the index, there are a handful of books I love in there (including Miss Hargreaves by Frank Baker, which is what tipped me off that Russell would be worth reading) – and plenty more to discover. Exactly the sort of book I cherish.

Sex, Drugs, and Cocoa Puffs by Chuck Klosterman

Perhaps the most surprising title in the pile, but I really love Klosterman’s writing. I read But What If We’re Wrong? a few years ago, and recently read The Nineties as an audiobook. I meant to write about it but have yet to get around to it – I went on a Klosterman spree and have also listened to his collections I Wear The Black Hat and Eating the Dinosaur. This collection, Sex, Drugs, and Cocoa Puffs, isn’t available as an audiobook – and, being very keen to keep reading his funny, unusual takes on the world and his brilliance for making unexpected connections between popular culture and history, I couldn’t resist ordering a secondhand copy of this.

Have you read any of these? Would any of them appeal? I am looking forward to being more fancy-free in my book buying next year, but also feeling very noble at how my reading is outpacing my buying this year.

Immortality, Inc. by Robert Sheckley

MMRTLNC1959.jpgI almost never read science fiction, but one of the good things about the Audible Plus catalogue is that I can explore all manner of books that I probably wouldn’t race to pay money for or have taking up shelf space. And at some point I stumbled across Robert Sheckley’s 1959 novel Immortality, Inc. and added it to my downloads – and listened to it last week.

From the Wikipedia page (and, indeed, the fact that the novel has a Wikipedia page at all), I get the impression that Immortality, Inc. is well-known in certain circles. I was drawn to it because time travel is one of the bits of sci-fi that I find fascinating, and the title made me think of Paul Gallico’s intriguing novel The Foolish Immortals, about a scam to fool people into thinking they have immortality.

At first, Thomas Blaine doesn’t have immortality – he simply has his lifespan moved dramatically forward. The novel opens with a car crash in 1958 – his car careers out of control, the steering wheel comes off, and he is killed instantly – impaled on the steering column, which is quite the detail. But then he wakes up. It hasn’t been a dream – he’s just been in a coma.

At first, he is simply confused – and the medical staff, reporters, and business people around him are not providing any answers. It is more important that he answers their questions: about what he is experiencing, how he feels about it etc. It turns out that he is at the centre of a publicity campaign for the organisation that has made this time travel possible. Their priority is getting good footage of his awakening, rather than explaining what’s going on.

What’s going is that it’s 2110. Sheckley gradually introduces us to the changes that have taken place over 150 years – some of which are quite dispiriting. One of the first things Blaine sees is a long queue, and he thinks he ought to join it, but soon realises it is a line for a suicide booth.

In 2110, thoughts about what being alive means have changed significantly, as have the corresponding scientific abilities. Blaine is living in a body that belonged to somebody else, a strong and muscular young man, and he quickly finds that there is a trade for bodies. Minds are transferred between bodies, either from people who willingly choose to die or from people who are trafficked. Then there are zombies, who occupy bodies that are about to die.

Where does the immortality come in? That is the afterlife – something that has been scientifically proved, but which is only entered naturally with a one-in-a-million chance. Otherwise you have to buy your way in. Inequality hasn’t disappeared. Quite the opposite.

It’s curious, given the whole scope of human imagination that Sheckley could have developed, that he is most fixated on mortality. There are scenes where Sheckley has to fight for his life, where his mind or body are at risk of being stolen, where he needs to kill others. It does all give a (literal) vitality to the novel that would have been lost if it were crammed instead with fanciful scientific inventions that have no real urgency. Perhaps that’s why this novel appeals to this sci-fi sceptic – because it is about the essentials of life, and the trappings of a fictional future don’t get in the way of that too much.

Oh, and there’s a romance plot. Because of course there is.

It’s interesting to read a novel written in the 1950s about the 2110s. We are still closer to the 1950s, but of course a lot of time has passed since Sheckley wrote his futuristic vision. Some details about 2110 thus seem amusingly old-fashioned – and not just references to Abyssinia and Ceylon. Of course, he couldn’t have been expected to come up with the idea of the internet, but the modes of communication and broadcast feel more 1950s than any decade since.

Overall, I really enjoyed Immortality, Inc. At the heart of it is a confused man trying to work out what’s going on, and that’s usually a good vehicle for a reader who is also confused and trying to work it out. We can share his fascination, both amused and horrified in turn, and there is a pleasing simplicity to the survival dramas he undergoes. Naturally I won’t spoil the conclusion, but it ties up the narrative neatly and makes sense of various parts of the plot that seemed a little odd along the way.

I don’t think it has tempted me to dive headfirst into science fiction, but I enjoyed my sojourn there.

An update on British Library Women Writers series

I am so behind with updating you on what’s going on with the British Library Women Writers series! There is good news, bad news, and some more good news.

No more Angela Milne… for now

Let’s start sombrely with the bad news. A while ago I announced that One Year’s Time by Angela Milne would be published this autumn – there was even a lovely cover designed. But sadly the British Library have been unable to trace the family and, because the book is still in copyright, they’ve decided against publishing it for the time being. (Publishers can risk publishing a book if every effort has been made to track down the copyright holders, but the British Library is understandably a bit cautious on this front.) If the family do turn up, then it might still be printed – so if, by any remote chance, you know a relative of Angela Milne – please get them to get in touch with the British Library!

It is a shame, because One Year’s Time is a wonderfully witty, interesting book about a woman’s romantic and work life – an insight into office work in the mid-century that we don’t often see in novels like this. And the dialogue has a beautifully Coward-esque spark. AND I don’t even have a copy myself, it’s so hard to track down. Maybe one day??

War Among Ladies by Eleanor Scott, Simon Thomas | Waterstones

A brilliant novel about schoolteachers

But the GOOD news is that Eleanor Scott’s War Among Ladies (1928) is now published! She is known for her horror stories (that the British Library have also published), but this is a novel set in a school. The girls don’t get much of a look in – it’s really about the teachers. Chief among these are Miss Cullen and Viola Kennedy. The portrait we get of Miss Cullen is not an encouraging one:

Her hideous home-mage dress of brown casement cloth strained across her square, sturdy body and hung in ungainly folds above the thick ankles and flat, broad shoes. It was an odd face, as so many faces when you look into them. The skin, reddened and rough, and slack now from want of exercise and years of unhealthy life, stretched tightly across the high, narrow forehead, where no stray line of hair softened the angularity, and sagged beneath the eyes and long, weak, protruding chin. The mouth, set a little open, smiled perpetually, anxiously. The restless eyes, behind strong spectacles, darted suspicious glances, or stared defiantly; they were uneasy, alarmed, defensive. It was a face that sought, in the fashion of thirty years ago, by strained hair, steel-rimmed glasses and protruded jaw, to appear strong; and it was, in every line, weak, distrustful, afraid.

She is disliked intensely by her colleagues – partly for her timid neediness, but also because she is a terrible teacher, who inspires neither respect nor enthusiasm from her pupils. And in the system of the school (and presumably of other 1920s schools), if you fail one subject, you fail them all. And almost everyone fails Miss Cullen’s French classes. In the novel, we see the school in crisis. But Miss Cullen can’t retire, even though she is only a few years away from retirement age, because in the 1920s this meant forfeiting your pension and all the money you’ve put into it.

As Miss Cullen’s career lurches uncertainly towards an end, Viola Kennedy’s is beginning. She is a bit of an idealist, and trying to work out how she fits into this school – whom to befriend and whom to distrust. And what happens when a small town is swift to judge a newcomer.

War Among Ladies is often quite a sad novel, but it is so masterfully done that it’s somehow still a joy to read. It’s the first title since My Husband Simon and The Tree of Heaven that I haven’t suggested to the British Library – but I’m pleased to say that I think it’s every bit as good as the much-loved novels I’ve recommended. Don’t just take my word for it – here are Lil’s thoughts.

 

Christmas stories coming soon!

And the next bit of good news is that there is a Christmas collection of short stories coming out! I’ll confess that I didn’t have a huge amount to do with selecting these, because it involved a lot of rummaging through old periodicals in the library – and that’s not easy to do when you have a full-time job elsewhere. I’ve suggested one or two (including something from recently-reviewed Excuse It, Please! by Cornelia Otis Skinner) but it’s mostly down to the good people at the British Library.

It’s a real range, from some of the most respected short story writers ever all the way to magazine stories that everyone involved probably thought would disappear. They’re cleverly arranged as a chronology through the Christmas period – from Christmas shopping through to New Year. Plenty to enjoy, and easy to give as a pressie – it’ll be published towards the end of October, I believe!

Stories for Christmas and the Festive Season: British Library Women Writers Anthology: 18: Amazon.co.uk: Simon Thomas (ed.): 9780712354523: Books

Six Degrees of Separation: From Notes on a Scandal to The Heir

It’s not often that I’ve read the starting book for the regular meme of a Six Degrees of Separation post (from Kate at Books Are My Favourite and Best) – but, when the stars align, I can’t resist joining in. As Kate says – ‘Start at the same place as other wonderful readers, add six books, and see where you end up.

Notes on a Scandal by Zoë Heller | Goodreads

Starting book: This month, things kick off with Notes on a Scandal by Zoë Heller. It was published in 2003, and for a while it was the book that every book group had to read – that’s where I read it. It tells of an affair between a female schoolteacher and a teenage boy, told from the perspective of an older schoolteacher who is a little prurient, and a lot possessive and lonely. It’s a tour de force.

Iris: A Memoir of Iris Murdoch (Book 1 in the Iris trilogy): Amazon.co.uk: John  Bayley: 9780715643259: Books

1st degree of separation: One of Judi Dench’s Oscar nominations came for playing the older schoolteacher in the 2006 film of Notes on a Scandal – so my next choice is another role she got an Oscar nomination for (and, for my money, her best performance): Iris, based on Iris by John Bayley. It’s a biography of Iris Murdoch by her husband. It faced some criticism for exposing Iris Murdoch when she couldn’t give informed consent, but I think it is done with affection and courage.

Rosamund Taylor's review of A Writer's Diary: Being Extracts from the Diary  of Virginia Woolf

2nd degree of separationA Writer’s Diary by Virginia Woolf has also attracted some criticism over the years – not for what Virginia Woolf wrote, but because it was edited by her husband Leonard. It’s all the diary entries that deal with writing from a much larger series of diaries (which has since been published in five volumes, unabridged). I can see why people thought Leonard was editorialising too much, but I think A Writer’s Diary is an extraordinary work. Woolf’s insights into writing are little short of miraculous, and her parallel preoccupation with external validation (and financial success) are a reminder that artistic genius doesn’t exist in a vacuum.

Keeping Up Appearances by Rose Macaulay

3rd degree of separation: You could go in any number of directions from Virginia Woolf, but I’m going to go for a novel that is also preoccupied with how novels are evaluated – how they are received by critics and by different echelons of the public: Keeping Up Appearances by Rose Macaulay. One of the main characters is a writer of low-to-middlebrow novels, who is fascinated by the way she is adored by some parts of society, ignored by others, and with seemingly no way to objectively determine quality.

4th degree of separationKeeping Up Appearances got me thinking about novels about sisters who take different paths from each other – and that, in turn, got me thinking about The Easter Parade by Richard Yates. In it, we watch Emily and Sarah Grimes grow up, both drawn beautifully by Yates but both, as we are warned in the opening line, ‘Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents’ divorce.’

A House in the Country: Adam, Ruth + Free Delivery

5th degree of separation: I’ve gone with another book that tells you in the opening lines that the book won’t have a happy outcome. This memoir (or heavily autobiographical novel) opens ‘This is a cautionary tale, and true. Never fall in love with a house. The one we fell in love with wasn’t even ours. If she had been, she would have ruined us just the same.’ And the book is the brilliant A House in the Country by Ruth Adam – which is much more amusing than the Yates, or than the opening line might make you think.

The Heir (Modern Voices): Amazon.co.uk: Vita Sackville-West: 9781843914488:  Books

6th degree of separation: And finally – a book where someone falls in love with an enormous house against their better judgement, though this story turns out more better: it’s Vita Sackville-West’s beautiful novella The Heir, inspired by love for her ancestral home Knowle (which, as a woman, she could not inherit).

What fun!

Excuse It, Please! by Cornelia Otis Skinner

A lot of people know and love Our Hearts Were Young and Gay by Cornelia Otis Skinner and Emily Kimbrough, but fewer people have gone on to discover Cornelia Otis Skinner’s collections of humorous short sketches. When I was in America in 2015, I ordered a whole heap of them to my friend’s apartment – because they’re much easier to find in the US than in the UK. But I didn’t get Excuse It, Please! (1936) – and yet, here it is, and that is because Lisa May very, very kindly sent me a copy! That was also in 2015, but every book has its correct moment and, in 2022, Excuse It, Please! found its time had come.

(Sidenote: isn’t the cover wonderful?)

The title comes from the opening sketch – which seems a better term than ‘story’ or ‘essay’, though they could equally be called that. Each is a scene from Skinner’s life, probably rather exaggerated and fictionalised, usually telling a self-deprecating foible of mid-century middle-class life. And the first sketch is about trying to get through to a required company on a telephone call, back when all such calls had to go through a telephone operator. The connections go awry.

“Is this 51?” I asked.

“Hello,” came again.

“When’s the next ferry from New London?” I inquired.

“How the hell should I know?”

“Aren’t you the ferry?” I faltered.

“What d’ya mean am I a ferry? This is Billy’s Garage in Goodground.”

And the title comes from the hapless operator asking Skinner to ‘excuse it, please’ – rather than ‘excuse me’. It’s not the biggest punchline in the world, and perhaps might only make a passing anecdote in everyday life, but that is Skinner’s brilliance. She can take the mundane and delve into the hidden ridiculous. She is always the butt of the joke, but she laughs with the reader.

The topics in this book might be everyday, but perhaps only for a certain sort of class of person. She doesn’t talk about an office job or housework, but rather about learning to ride a horse, sitting for a portrait, and being asked to sit on the captain’s table when on a ship. It’s a glimpse into another time and another world, so she manages to combine a sense of the quotidian (for her) and the exotic (for us – or at least for me). It is a delightful mixture, and I suspect her life would have felt quite alien even for quite a few of her contemporary readers.

While she is ultimately always the one we are being encouraged to laugh at, that doesn’t mean that nobody else gets a dose of dry humour. The opening to ‘Seeing stars’ is a case in point:

Of the many varieties of bore one of the worst I know is the person who wants to point out the stars and constellations. This is a form of midsummer pest which, like the sand flea, tends to ruin beach parties.

I cannot help but keep quoting, forgive me… this is on the next page:

He singles me out from a group of ordinary picnickers with the infallibility of the compass pointing out the magnetic pole. Were this individual possessed of any particular allure, I should not at all mind; or were his intensions bordering on the carnal, there might be a little less ennui. But he is generally the kind of man who wears rubbers and belongs to drama societies, and his intentions are purely astronomical.

“Have you noticed how clear the stars are?” he begins.

I have been noticing this phenomenon with dread and secretly praying for fog ever since I have been aware of his approach. But I answer “Yes, aren’t they?” with a politeness that I hope is frigid.

At this point, you know this is either your sort of thing or not. It perfectly chimes with my sense of humour and I can’t get enough of it. If you’re the same, then you can seek out more or less anything by Skinner. I’m very grateful that Lisa May sent me this one, so that I can spend some happy hours immersed in it.

N is for Nichols

This is part of an ongoing series where I write about a different author for each letter of the alphabet. You can see them all here.

For some reason it took me a while to think who I could write about for N. I love E Nesbit but don’t have that many books by her; I have a few by Irene Nemirovsky, but don’t feel enormously enthused by her. And then it struck me – of course! Beverley Nichols! Sorry Bev that you didn’t come to mind immediately – but, fear not, I will do you justice because I have lots of books by you. It’s not all the books in this photo, but it is quite a lot of them – as well as one on my paperback shelf, one on biographies, and one with the Folio editions.

How many books do I have by Beverley Nichols?

Great question, I’m so glad you asked. And the answer is – a lot. He is one of those authors who was very prolific and also widely printed, so it’s not difficult to stumble across his books. I have 26 books by Nichols, and there are still plenty I haven’t read. That covers everything from his famed memoirs about houses, gardens, and village life (I say ‘memoirs’, but they are heavily fictionalised) to books about faith, America, cooking, war, cats, and more. And, of course, some of his novels.

How many of these have I read?

I didn’t realise until I did my count just now, but I’ve read 13 of these books – exactly half way! I’ve only read one of Nichols’ novels, and none of his detective stories, so plenty more to entice me.

How did I start reading Beverley Nichols?

If you’ve been reading Stuck in a Book for a while, then you might remember that Nichols often appeared in blog posts about recent book hauls, and every time I’d say “I haven’t read any Nichols yet, but I’m sure I’ll like him…” I just kept amassing them, filled with faith that he would be to my taste. The first one I ever bought was A Thatched Roof, from a market secondhand book stall in Pershore in 2004. And I finally read something by him in 2017 – Merry Hall, for the 1951 Club. It was my favourite read of 2017. After that, I couldn’t stop myself.

General impressions…

Well, I was right that I’d love him! The Merry Hall trilogy are still my favourite books by Nichols (and much better than the Down The Garden Path trilogy IMO, though I did enjoy those too) – I also really, really loved The Sweet and Twenties, about the 1920s. The only novel I’ve read by him is Crazy Pavements, which was also really fun. Basically, when Nichols is using his witty, insouciant, slightly gossipy tone, I can’t get enough.

My only real disappointment was The Powers That Be, about spiritualism, because he becomes much more earnest and less amusing. Some of his other essays have been good but not brilliant. On balance, though, I trust that I’m going to have a great time when I start reading a book by Nichols, and I’m almost always correct.

StuckinaBook’s Weekend Miscellany

Is it summer? Is it autumn? Is it winter? The weather in the UK this week is very unsure on that point, and so am I. But the windows are still open, and the blankets are out, so I’m making the best of fresh air and cosiness. The perfect reading weather. And perhaps the perfect weather to enjoy a book, a blog post, and a link…

1.) The book – I’ve never read Celia Dale, but I’ve heard great things and I totally trust the combination of (a) Daunt Books and (b) novelist Jenn Ashworth, who has written the introduction. I’m going to copy across a big chunk of the description from the Daunt Books website, because doesn’t this sound wonderful?

Middle-aged Josh and Maisie Evans lead an unremarkable, unassuming life. When Auntie Flo, who has lived with them for years, dies and leaves them her Estate, they head to Italy on holiday, to take in the sea air and let the sun soak into their bones. It’s there they meet Mrs Fingal. A wealthy widow, she lives with her grown-up niece Lena and it’s pretty clear that neither is happy with the situation. So when Josh and Maisie bond with Mrs Fingal, over ice-cream and gentle toddles, it’s only natural that they all decide she should must move in with them once home. It suits everyone.

Beneath the suburban respectability of cups of tea and genteel chitchat, however, emerges a different tale: one of ruthless greed and exploitation, and suffocating, skin-crawling terror.

2.) The link – the forthcoming film of Paul Gallico’s Flowers For Mrs Harris (aka Mrs Harris Goes To Paris) has led to the Guardian doing a list of ten books about cleaners. I’ve read three (Ibbotson, Stockett, Gallico) and haven’t heard of the other seven. I’m also struggling to think of any to add to the list? Unless we encompass domestic servants, then obviously there are dozens.

3.) The blog post – I’m not sure I’ve ever used this slot to link to Captive Reader’s Library Loot, so let’s do that. And scroll back through a few others – she always has such an interesting selection. I seldom use the library (basically just for book group books) because I have so many books unread on my shelves, but I try to go and chance my luck on something new every few months. (The most recent was a Bryan Washington novel – I was very grateful that I hadn’t bought it, because I gave up after a few pages when I discovered there were no speech marks.)

Five memoirs I’ve read recently

Quite a large percentage of the non-fiction I read or listen to is accounted for by memoirs and biographies. While glancing at my pile of books to be written about on here, I realised that five of them fell into the category of memoir and autobiography – while covering an extraordinary range between them. And all by authors where I haven’t read anything else by them. Here they are…

My Father and Myself (1968) by J.R. Ackerley

I have four of Ackerley’s books, because I’ve always assumed I will enjoy his writing (and because they are delicious New York Review of Books Classics) – I took to Twitter to ask people which I should start with. While My Father and Myself didn’t win the poll, the replies were sufficient to convince me.

As the title suggests, this book is more or less equal parts about Ackerley and his father, Roger – a relationship that grows steadily more fascinating as the book continues. At times, they have a shocking openness, particularly around sexual matters – while there are other, major parts of Roger Ackerley’s life that his son had no idea about until after his death. I shan’t spoil what they are, because they are revealed rather late in this book – though I was already aware of them because I’ve read The Secret Orchard of Roger Ackerley by Diana Petre.

From the attention-grabbing opening line onwards (‘I was born in 1896 and my parents were married in 1919’), Ackerley is an excellent storyteller – particularly about the things that interest him. What most seems to interest him, for better or worse, is his own sexual exploits. There is an awful lot about the young men he encountered through life and what he did to them (and they to him). There is a startling candour in these passages. In a biographer, it would have felt unprofessionally prurient; in Ackerley’s own words, it seems like a lengthy attempt to understand his own fascination with this aspect of his life.

More interesting to me was his perspective on his parents’ marriage – people say that nobody knows a marriage except those in it, but constant onlookers can perhaps have a more even-handed view. His mother put up with a lot; his father was not a monster, but lived by a set of principles that combine curiously and don’t benefit many people, including himself.

Honesty and accuracy are not the same thing, of course, and Ackerley’s striking openness sits intriguingly alongside the limits of his self knowledge. It’s a fascinating read, often uncomfortable, but mesmerising too.

Diary of a Lone Twin (2019) by David Loftus

To talk of the death of one’s twin to surviving identical twins is almost impossible; the break of that bond is too painful and shocking to describe, too unbelievable to imagine.

Loftus was in his 20s when his identical twin brother died, not long after they had celebrated their birthday together. Three decades later, he takes us through the diary of a year – a year where nothing significant happens in relation to that death, but which is as good an opportunity as any to continue processing the grief, seeing what has happened to him over the years.

As you probably know, I have a twin brother (Colin, who is also reading Loftus’s memoir), and the idea of losing him is as unbelievable as that quote at the beginning suggests. My life doesn’t make sense without him. And that’s the world David Loftus was thrust into, from a brother who was also his best friend. We don’t learn at first how he died, and Loftus measures out the parts of that story throughout the first half of the book. It feels oddly like a thriller, as we piece together how it happened – eventually discovering that it was shocking medical malpractice.

Of course, Diary of a Lone Twin is not an objective account, nor should it be. Rather than simply a description of what happened, it is Loftus’s thoughts on life without John – and how it might have been different. It’s also about his recent second marriage, about his son, about his career as a food photographer. At times, it felt like other things were crowding out the story of John and its aftermath (I could particularly have done without the pages about how much he hates cats). But, even with the padding, this is a very engaging attempt to describe the unthinkable.

Delicacy (2021) by Katy Wix

I listened to Wix reading this extraordinary memoir – about cake and death, as the subtitle says (and isn’t it a brilliant title for that?). It looks through the significant moments of Wix’s life through the prism of cakes that she associates with each of them. And it’s about the deaths of her father, her mother, and her best friend.

I first encountered Wix as a contestant on Taskmaster, and she appears in almost every good British TV show of recent years. While she is extremely funny in character roles, her personality and comic sensibility is rather different on her own terms – it is still funny, but it is equally melancholy. In her narration, there were plenty of lines that would have made me laugh if I’d read them on the page, but she delivers them with calmness, almost a sadness, which makes them effective in a very different way. A possible exception is the chapter on a personal trainer, which does have moments of poignancy but is more unabashedly hilarious than other sections of Delicacy.

As well as discussing the loved ones she lost, in difficult and painful ways, Wix also writes about her career – the highs and the lows, and particularly about the way that she has been expected to look and behave as a woman in the industry. She doesn’t name many of the productions she’s been in, so it’s not a tell-all in that sense, but she is still very candid about the treatment she experienced. And there is a moving, tense chapter on a possible reunion on a project with a bully from her early life.

As you can perhaps tell from this overview, I don’t remember any of the specific cakes that Wix associates with different moments of her life. As a framing technique, it isn’t especially relevant – but if it helped her produce a book this good, then hurrah.

Sidesplitter: How To Be From Two Worlds at Once (2021) by Phil Wang

Another comic I first encountered on Taskmaster, and a memoir published in the same year – which I also listened to as an audiobook read by the author. Wang spent the first 16 years of his life in Malaysia, and the second 16 in the UK – so this book is about a life split down the middle in years, but also in terms of identity. He writes of feeling not Malaysian enough for Malaysia and not British enough for Britain.

The book is divided into different categories – food, nature, language etc – which gives Wang opportunities for covering a vast amount of material. There is definitely some serious stuff about racism in here, and about the differences between cultures and the difficulties of trying to ‘be from two worlds’ without either of them suffering – but it’s also a very, very funny book. Wang’s writing is much more punchline-driven than Wix’s, and a lot of the book would feel equally at home as stand-up. I definitely recommend you try the audiobook, if you read Sidesplitter, because it really requires Wang’s insouciantly optimistic voice.

Raining Cats and Donkeys (1967) by Doreen Tovey

Definitely the most uncomplicatedly fun book on this list, it’s one of a series that Tovey wrote about having Siamese cats and a donkey. It opens with:

Charles said the people who wrote this bilge in the newspapers about donkeys being status symbols were nuts.

At that moment we were in our donkey’s paddock dealing with the fact that she’d eaten too many apples, and I couldn’t have agreed with him more.

It’s representative of the entirety of this short memoir. The book is a collection of self-deprecating stories that show how complicated life can get when you fall in love with spirited pets. The stakes are not often particularly high, and that’s what makes them so entertaining to read – because things might go awry, but at the end of the day Doreen and Charles will be happy together, contentedly accompanied with a menagerie of animals.

Tovey is very good at conveying the characters of the two cats, Solomon and Sheba, and Annabel the donkey – without ever making the mistake of making them too twee or fanciful. She is a keen observer of genuine animal behaviour, in its ruthlessness and obstinacy as well as its more gentle moments, and describes them with humour and affection. My edition was given to me by my friend Kirsty and Paul, and has an earlier handwritten dedication from 1968: ‘For Alan, as a Bedside Book (to encourage earlier bedtimes). I can see that it would have done.