Embers by Sándor Márai

I picked up Embers (1942) by Sándor Márai in a London bookshop a little while before the pandemic, drawn by the striking cover design and intrigued by the premise. Not many books are primarily about friendship, and the small sample I read in the shop seemed beautifully written. And so it came home with me – and I really loved my experience of writing it.

Sándor Márai wrote Embers in Hungarian as A gyertyák csonkig égnek, which means ‘candles burn until the end’, and is presumably a Hungarian phrase that we don’t have in English. Embers also works very well as a title, and it was the title of the German translation (Die Glut) which was then translated in English by Carol Brown Janeway. I’m not sure why they didn’t get someone to translate straight from the Hungarian, but there we are.

The novel opens with an old General in his palatial home, which he shares only with servants and an ex-nurse Nini, who is in her 90s and a wise, all-knowing companion. He never leaves the place – he keeps only to a handful of its many rooms. And he receives a message that an old friend, Konrad, will be visiting for the first time in more than four decades.

Normally this is a conceit that puts me off a novel: a scene in the present day that then zips back to a long, chronological sequence of the past. It usually makes everything that follows feel anticlimactic. Here I think it worked – because the General’s present day is so stultified. He doesn’t even seem to live in memories most of the time, just in a protracted period of apathy.

Before Konrad arrives, Embers takes us back to the friendship between Henrik (the General in his youth) and Konrad. As young children they were inseparable, and this bond never wavered. Through school and beyond, they were as close as it is possible for two people to be – as close as twins in the womb, the novel says.

Nothing is so rare in the young as a disinterested bond that demands neither aid nor sacrifice. Boys always expect a sacrifice from those who are the standard-bearers of their hopes. The two friends felt that they were living in a miraculous and unnamable state of grace.

There is nothing to equal the delicacy of such a relationship. Everything that life has to offer later, sentimental yearnings or raw desire, intense feelings and eventually the bonds of passion, will all be coarser, more barbaric.

Henrik is usually referred to as ‘the son of the Officer of the Guards’ in the narrative, when dealing with his younger days, and we can never forget his privileged and prestigious position. By contrast, Konrad is from poverty – and refuses any financial help. His pride is so frustrating to read about. Not least because he determines he must still move in the same milieu as his friend – must have the right coat, the right gloves, the same tipping of servants, however difficult it is to find money for this. The friendship persists because Konrad doesn’t owe Henrik anything – but this disparity is always present.

I loved the way Márai writes about friendship. He recognises its value, not relegating it to a distant cousin of romantic love. He also sees how it can be as troubled as any romance – and the reader is continually trying to piece together why there has been a gap of 41 years in this friendship that started so boldly and deeply.

The reasons are unfolded at their reunion – again, Márai breaks novelistic rules and gives the General enormous amounts of dialogue for more or less the whole second half of the novel, revealing why the friendship broke off. But, again, somehow it works. Possibly because Márai’s writing is beautiful and his building of character so brilliant.

There are no neat conclusions in Embers, and yet I came away totally satisfied. An exceptionally good short novel, moving and dramatic, and addressing deep emotions and relationships that are usually disregarded in literature.

StuckinaBook’s Weekend Miscellany

The Eternal Return of Clara Hart: LOUISE FINCH: 9781915071026: hive.co.ukA very happy weekend to you! Hope you are spending it well, and not panicking about the fact that we are somehow almost halfway through the year even though I’m pretty sure it only just began? Quell the existential angst with the usual round up…

1.) The blog post – I love Jacqui’s list of books set in hotels, and the comment section is filled with brilliant additions. I’m already looking forward to her boarding house list.

2.) The book – Louise Finch’s The Eternal Return of Clara Hart would sound right up my street even if I hadn’t been to school with Louise. We haven’t seen each other since then, but Facebook is great for these updates – and when she mentioned that her young adult novel would be published in August, I looked it up. The synopsis sounds very up my street. I love the time loop concept, and this one is about a boy called James trying to prevent the death of Clara Hart at a party…

3.) The link –  10 books about things going horribly wrong on islands. Because why not? I’ve read numbers 6, 9, and 10 – you?

 

 

Tea or Books? #105: Big Families vs Small Families and Animal Farm vs Nineteen Eighty-Four

George Orwell and families – welcome to episode 105!

Rachel is busy this month, so I put a shout-out on our Patreon page to see if anybody would be willing to step in and take her place. I was delighted that Arwen said yes, and I think you’ll enjoy the chat we had. In the first half, we talk about big vs small families in literature – and in the second half, we compare Nineteen Eighty-Four and Animal Farm by George Orwell. Rachel will be back next time, to do the books we previously advertised.

You can join the Patreon at the link above – you’ll get episodes early and other bonus bits, and you might even end up on an episode yourself!

Do get in touch at teaorbooks[at]gmail.com if you’d like to suggest or ask anything. You can find our podcast at Apple podcasts, Spotify, your podcast app of choice, or the audio file above.

The books and authors we mention in this episode are:

E.F. Benson
Diary of a Provincial Lady by E.M. Delafield
Philip K Dick
Iain M Banks
Great Expectations by Charles Dickens
A Tale of Two Cities by Charles Dickens
Our Mutual Friend by Charles Dickens
David Copperfield by Charles Dickens
Hard Times by Charles Dickens
Agnes Grey by Anne Bronte
Jane Eyre by Charlotte Bronte
Wide Sargasso Sea by Jean Rhys
Anna of the Five Towns by Arnold Bennett
The Old Wives’ Tale by Arnold Bennett
Riceyman Steps by Arnold Bennett
Literary Taste by Arnold Bennett
Moll Flanders by Daniel Defoe
Diary of a Plague Year by Daniel Defoe
Robinson Crusoe by Daniel Defoe
Foe by J.M. Coetzee
Pamela by Samuel Richardson
The Dust Never Settles by Karina Lickorish Quinn
Kamchatka by Marcelo Figueras
Sleepwalking Land by Mia Couto
Miss Hargreaves by Frank Baker
Autobiography by Anthony Trollope
Anita Brookner
The Brontes Went to Woolworths by Rachel Ferguson
Guard Your Daughters by Diana Tutton
I Capture the Castle by Dodie Smith
Famous Five series by Enid Blyton
Danny, Champion of the World by Roald Dahl
A Change for the Better by Susan Hill
The Nutmeg Tree by Margery Sharp
The Feast by Margaret Kennedy
Tales of the City by Armistead Maupin
Moomin series by Tove Jansson
Swallows and Amazons by Arthur Ransome
The Borrowers by Mary Norton
Winnie the Pooh by A.A. Milne
Dusty Answer by Rosamond Lehmann
Pride and Prejudice by Jane Austen
Hunky Parker’s Watching You by Gillian Cross
The Demon Headmaster by Gillian Cross
Do Androids Dream of Electric Sheep? by Philip K Dick
Keep the Aspidistra Flying by George Orwell
Homage to Catalonia by George Orwell
Grand Canyon by Vita Sackville-West

A whole lot of audiobooks

I continue to listen to lots of audiobooks, many of them from the Audible Plus free catalogue, and here is a round up of some recent listens… I’ve marked them with an asterisk if they’re in the free catalogue, or at least were when I listened to them, so you can hunt them out if you wish.

On Color (2018) by David Scott Kastan and Stephen Farthing*

This is an absolutely brilliant non-fiction book – about, as the title suggests, colour. Kastan and Farthing devote 10 chapters to the colours of the rainbow, followed by black, grey, and white. Each chapter looks at the significance of the colour in many different ways – while each chapter is quite wide-ranging, they are often also tied to particular issues. ‘Red’ is largely about science, ‘yellow’ about race, ‘green’ about politics, and so on and so forth. One of the authors is an artist, and so art history is threaded throughout.

It’s an ambitious premise for a book, particularly one that comes in at little over 200 pages in the print edition, but is done brilliantly. I found it fascinating, thought-provoking, and captivating. It was free in the Audible Plus catalogue, so if you’re an Audible subscriber then I definitely recommend downloading it.

Piranesi (2020) by Susannah Clarke

You probably already know all about this award-winning fantasy novel, long awaited from the author of Jonathan Strange & Mr Norrell (which I never actually read). Piranesi lives in an enormous, perhaps endless, house which consists of halls after halls after halls. Many have statues in, some are empty, and some are filled by the ocean. He believes there are only 15 people in the world, and only regularly meets one of them.

Even for someone without a visual imagination, I found this world-building enveloping – brilliantly simple while also being other worldly. Chiwetel Ejiofor’s narrative expertly capture Piranesi’s naivety and gentleness. As we gradually learned more about the world, and followed stray clues to build a complete picture, I thought Piranesi was a wonderful success.

Lady Audley’s Secret (1862) by M.E Braddon*

One of those books I’ve read about quite a lot, this sensation novel is about Sir Michael Audley’s new young wife, who is mistrusted by Sir Michael’s nephew – and the mysterious disappearance of Sir Michael’s friend George Talboys. It was a fun and interesting read, nowhere near as histrionic as I’d imagined, and Braddon’s writing is a joy.

Is it let down by the fact that George Talboys is appalling, and his disappearance should be considered an enormous blessing in a paper-thin disguise? Or by the fact that at least one of Lady Audley’s secrets is obvious to any modern reader by the end of the second chapter? Well, those things help make this something of a period piece – but it’s still a silly delight.

Ayoade on Ayoade (2014) by Richard Ayoade*

You’ll either really enjoy this or hate it and, judging by the Amazon reviews, most people are in the latter category. I really liked it, though it wasn’t what I expected. Supposedly about cinema, it is actually quite a silly and surreal serious of interviews between Ayoade and… himself. Not a moment of it is serious, and you have to chime with his off-the-wall humour. Luckily I do.

A Damsel in Distress (1919) by P.G. Wodehouse*

I mean, what can I say – the usual wonderful Wodehouse stuff of misunderstandings, falling in love at first sight, improbable coincidences, and bucketloads of brilliant, brilliant writing. As always, absolutely delightful and hilarious.

The Cross and the Switchblade (1963) by David Wilkerson*

What a brilliant (true) story – about a minister from a small rural community who is called by God to reach teenagers in criminal gangs in New York. He initially goes because he feels called to help a particular group of seven teenagers, but ends up transforming whole communities. The book is packed with examples of miracles and interventions by God, and is a moving and powerful account of what happens when somebody humbly obeys. An extraordinary story that I had previously seen adapted for stage, but is even more amazing as a book (although I did have to skip some of the drug bits). Co-written with John and Elizabeth Sherrill.

Escaping the Rabbit Hole (2018) by Mick West*

This is a non-fiction work about helping people escape from conspiracy theories. It’s really written for people who have a friend or relative who needs help getting out of the grip of these theories. I don’t have anybody in my life in that position – I just find the topic interesting. West goes through some of the most ‘popular’ conspiracy theories – from 9/11 to chemtrails to flat earth – and painstakingly explains why they aren’t true, and what arguments and evidence will help demonstrate that to people ‘down the rabbit hole’. As such, a lot is very detailed – West’s main advice is to learn all you can, and have polite and informed conversations, since so many conspiracy theorists think that ignorance is the only reason people don’t agree with them.

One of the most interesting notes in the book was that we are all conspiracy theories – it’s just that, for most of us, that theory might be ‘the government doesn’t always tell us everything’. Conspiracy theories are along a spectrum, and you’ll find that everyone has a point where they stop believing things. For example, a 9/11 ‘truther’ might think that a flat earther is very wrong. Definitely a book that would be useful to help a loved one, but fascinating even if that’s not your position.

So You Want To Talk About Race (2018) by Ijeoma Oluo*

A look at racism – individual and institutional – in America. Probably nothing much new to anybody who has paid attention to the issue, but Oluo’s detailed research and thoughtful writing help present things like police reform, cultural appropriation, the ‘model minority’ myth, and much more in a succinct, accessible, and still impassioned way.

8 Deaths (And Life After Them) (2021) by Mark Watson*

This seems to have been exclusively an audiobook – Watson telling the story of his life in comedy, largely through the times it went wrong. Most memorably while almost dying in a reality TV show. He is enjoyably candid about the motivation for some of his work being financial, or simply to keep his name out there, and clear-sighted about his profession. I always like his self-deprecating humour – the reason 8 Deaths didn’t work perfectly for me was that it quite often veers into self-help territory, which is a genre I don’t really have any interest in.

Reasons To Stay Alive (2015) by Matt Haig*

This short memoir (described as ‘novel and memoir’, but really seems just a memoir to me) is about Haig’s experience with depression. It is extremely honest and moving, and I thought it was very powerful. Occasionally there are things that are clearly page-fillers – lists, or observations that don’t add much to the book – but overall a very worthwhile and well-written book.

Just Ignore Him (2020) by Alan Davies

A memoir by the comedian Alan Davies – about grief at his mother’s death when Alan was a young child, and about the abuse he faced from his father. It’s obviously a very sad book, and important to talk about these things. Sadly was let down by Davies being an unexpectedly bad narrator (very staccato) and by some curious framing that didn’t really work.

 

Project 24: Books 7, 8, 9

I have been buying some of my allotted 24 books for Project 24, but didn’t want to interrupt Novella a Day in May with the spoils – but I am now up to nine books. That only takes me halfway through May, in terms of my allowance, so I’m doing well with the schedule. For now…

And here they are!

The Chase by Mollie Panter-Downes

I think I might now own all of Mollie Panter-Downes’ books?? Her early novels seldom appear online (until the British Library reprinted My Husband Simon, of course) and definitely not at affordable rates. The only copy I can now see online costs over £600 – please know that I didn’t spend anywhere at all close to that. I keep an eye on ebay for harder to find titles, and it paid off in this case. Looking forward to seeing what it’s like – and, you never know, could end up another one for the BL series.

The Deepening Stream by Dorothy Canfield Fisher

I finally made the journey to the new Persephone Books shop in Bath, to which they relocated a little while ago. I’m delighted they’re in Bath, which is such a beautiful and bookish town – the shop feels very like the Lamb’s Conduit Street one did, though a bit lighter because of a bigger window at the back. I knew I wanted this Fisher, so snapped it straight away. It’s a real doorstopper, so who knows if I’ll actually get it read any time soon.

The Home by Penelope Mortimer

You might have already seen my review of this one – and excellent it was, too.

So, very pleased with the nine books I’ve bought so far in 2022! Not counting the many audiobooks I’ve downloaded, of course. And let me tell you, my Amazon wishlist is getting LONG. Watch this space to see which others are added to my very full shelves by the end of the year.

Jubilee: A book for every year of the Queen’s reign

Happy jubilee weekend to those who are celebrating! I love the Queen and I am certainly celebrating. And what more fitting way for me to celebrate than to pick a book I love for every year of her reign?

Here we go, all 70 of ’em… not necessarily the best book for each year, or even my favourite book, but something I’d recommend. And forgive me if any of the dates are wrong – I’m going by what I have listed in LibraryThing.

1952The Village by Marghanita Laski
1953Life Among the Savages by Shirley Jackson
1954Who Was Changed and Who Was Dead by Barbara Comyns
1955Mother and Son by Ivy Compton-Burnett
1956Tea at Four O’Clock by Janet McNeill
1957: A House in the Country by Ruth Adam
1958: Tom’s Midnight Garden by Philippa Pearce
1959: Miss Plum and Miss Penny by Dorothy Evelyn Smith
1960The L-Shaped Room by Lynne Reid Banks
1961Told in Winter by Jon Godden
1962Cassandra at the Wedding by Dorothy Baker
1963A Day in Summer by J.L. Carr
1964The Soul of Kindness of Elizabeth Taylor
1965The Millstone by Margaret Drabble
1966A Jest of God by Margaret Laurence
1967At the Jerusalem by Paul Bailey
1968In Pious Memory by Margery Sharp
1969A Change for the Better by Susan Hill
1970The Fantastic by Tzvetan Todorov
1971: Nemesis by Agatha Christie
1972: The Summer Book by Tove Jansson
1973: The Norman Conquests by Alan Ayckbourn
1974Aunts Aren’t Gentlemen by P.G. Wodehouse
1975Turtle Diary by Russell Hoban
1976The Doctor’s Wife by Brian Moore
1977Injury Time by Beryl Bainbridge
1978The Bookshop by Penelope Fitzgerald
1979The Path Through the Trees by Christopher Milne
1980Housekeeping by Marilynne Robinson
1981Loitering With Intent by Muriel Spark
1982Brother of the More Famous Jack by Barbara Trapido
1983A Very Great Profession by Nicola Beauman
1984According to Mark by Penelope Lively
1985The Man Who Mistook His Wife for a Hat by Oliver Sacks
1986Family Skeletons by Henrietta Garnett
1987Crossing to Safety by Wallace Stegner
1988The Birds of the Innocent Wood by Deirdre Madden
1989: Maestro by Peter Goldsworthy
1990: Immortality by Milan Kundera
1991: Wise Children by Angela Carter
1992: The Devil’s Candy by Julie Salamon
1993: Pigs in Heaven by Barbara Kingsolver
1994: The Silent Woman by Janet Malcolm
1995Flesh and Blood by Michael Cunningham
1996Bridget Jones’s Diary by Helen Fielding
1997: Enduring Love by Ian McEwan
1998Ex Libris by Anne Fadiman
1999All Quiet on the Orient Express by Magnus Mills
2000: Virginia by Jens Christian Grøndahl
2001Tepper Isn’t Going Out by Calvin Trillin
2002Crow Lake by Mary Lawson
2003Alva & Irva by Edward Carey
2004Dress Your Family in Corduroy and Denim by David Sedaris
2005The Lost Art of Keeping Secrets by Eva Rice
2006A Lifetime Burning by Linda Gillard
2007Speaking of Love by Angela Young
2008The Uncommon Reader by Alan Bennett
2009The Little Stranger by Sarah Waters
2010The Wrong Place by Brecht Evens
2011Let Not the Waves of the Sea by Simon Stephenson
2012The Teleportation Accident by Ned Beauman
2013Hyperbole and a Half by Allie Brosh
2014Boy, Snow, Bird by Helen Oyeyemi
2015Things that Fall from the Sky by Selja Ahava
2016Miss Fortune by Lauren Weedman
2017The Diary of a Bookseller by Shaun Bythell
2018Packing My Library by Alberto Manguel
2019: All The Lives We Ever Lived by Katharine Smyth
2020Inferno by Catherine Cho
2021Ghosted by Jenn Ashworth

Aaand… I’ve only actually read one book published in 2022, I think, and it was too bad to include here. So I’ll leave the final year as a blank – hopefully something wonderful comes along before the end of the year.

Happy Jubilee!

Anne Frank’s Diary: the graphic adaptation (Novella a Day in May #31)

I made it! 31 days, and 31 books – admittedly some of them played fast and loose with the definition of ‘novella’, not least this final one. But what a fun time it has been, and has brought out some real gems – A Jest of God by Margaret Laurence was definitely top of the pile, but some other wonderful books alongside. Thank you so much, Madame Bibi, for creating this challenge and for doing it alongside me. It’s been really fun to see what you read, where we overlap, and where there are massive differences. I’m running out of novellas on my shelves now, but already looking forward to next year.

Today, I read a graphic work of non-fiction – Anne Frank’s diary, adapted by Ari Folman and illustrated by David Polonsky. I think it came as a review copy back when it was published in 2018, and I’m so glad I finally read it.

You doubtless all know Anne Frank’s story, and have read her diary – one of the great works of the 21st century, in my opinion, documenting life in a hidden annexe for a group of Jewish family and friends in Amsterdam. What makes the original book so incredible is all here – the extraordinary and the everyday, the teenage girl struggling against her parents’ authority and finding first love – and the girl who knows one wrong move would lead to them all being murdered. She is perceptive, witty, thoughtful, hopeful. And Folman does a brilliant job of keeping that all here.

It is shorter than the diary, of course, and mostly given in typical graphical novel ‘cartoon strip’ style, though some pages are given over to full entries. Polonsky’s illustrations capture the portrait we know so well, and convey the character and spirit of Anne.

In some instances (as explained in an afterword), they have condensed many entries into one illustration – for instance, Anne often compares herself to her sister, and obsesses over their differences. That was turned into this page:

Anne Frank's Diary: The Graphic Adaptation by Ari Folman

I was a bit worried that this would be odd or gimmicky, or take away from the extraordinary original. But I think it’s a moving and beautiful way to re-encounter Anne’s story – a new angle on that testimony to man’s inhumanity to man, and yet the survival of humanity in the darkest of situations.

Rolling in the Dew by Ethel Mannin (Novella a Day in May #30)

If you read about middlebrow women writers of the interwar years, you’ll doubtless have come across Ethel Mannin’s name. I don’t know if she had one book that was particularly well-known, but she was astonishingly prolific, as you can see on her Wikipedia page. I have three of her books but hadn’t read any, until Rolling in The Dew – one of three books she published in 1940.

The title comes from a George Orwell quote – Google tells me it’s in Coming Up For Air, but Mannin’s dedication gives the game away: ‘To George Orwell, who so abominates ‘the bearded, fruit-juice drinking sandal-wearers’ of the ‘roll-in-the-dew-before-breakfast’ school.’

Though published after war had started, it is set in the summer of 1939. Our hero, Pierre Mirelli, is a Frenchman living in England who stumbles across a colony living in the middle of nowhere.

“My name is Dewberry,” the big man informed him, “Rudolf Dewberry. You’re French, aren’t you? I thought do. We’ve no French here. Some Austrian and Czech refugees. And we did have some Basque children for a time. But no French.” He seemed sad about it.

Mirelli did not know what to say to this, his country not yet having produced refugees, so he merely smiled with an air of apology.

Dewberry continued heavily, “The world is in a sad mess, my young friend. The nations of Europe are as the Gadarene swine. Here in this community we have created an ideal world in miniature. But a practical ideal. Here we live in the spirit of Kropotkin’s mutual aid, each co-operating in the common good, yet each respecting the sanctity of the individual.”

One thing leads to another, and Mirelli finds that he has agreed to join the community at a conference in Geneva, where they will be addressed by Dr Krang, a pupil of Freud’s. Mirelli mostly wants to go because it means his passage will be paid to Europe, where he will be able to visit his fiancée Marthe. He has been asked to deliver a lecture, seemingly just on the strength of representing a nationality that haven’t yet got covered. Dubious, amused, nervous – he goes.

The community is not in-line with the life Mirelli would wish to lead. He discovers that they all follow the brilliantly-named Haybox-Schnitzel diet: vegetarian, non-alcoholic, and largely consisting of what looks like sawdust to Mirelli. There’s one character who lives off bran and fruit, and is hoping to wean herself off the fruit. (As a vegetarian who doesn’t drink, I could live with this diet – but the foodstuffs that are mentioned are still very unappetising.)

Of course, it is all very old hat to tease health groups and hippies and people who advocate getting back to nature, swimming in cold water before breakfast, doing yoga etc etc. In 1940, I imagine it was a little newer (if not entirely new). But it is not mean-spirited humour, and Mannin interestingly links it to all manner of contemporary sociopolitical conversations – from religious faith to Freudianism to capitalism to fascism. While her tongue is always in her cheek, she does take the delightfully over-the-top premise and sustains it into something very interesting. And it helps that Mirelli is such an endearing, sympathetic character in the midst of this maelstrom.

Mannin’s writing is a joy, too. She has some wonderfully dry lines, which reminded me of E.M. Delafield. Like when she introduces Mrs Dewberry, ‘for she was that, however much her Rudolf might seek to lessen the bourgeois shamefulness of it by referring to her as his female companion’. I suspect Rolling in the Dew is something of an outlier in her work, inasmuch as she doesn’t appear to have usually been a satirist, but it has encouraged me that her enjoyable writing style will be transferred to more ‘ordinary’ topics. I have Proud Heaven and Cactus waiting for me, so watch this space.

Novella a Day in May: Days 28 and 29

Day 28: Sleepless Nights (1979) by Elizabeth Hardwick

Elizabeth Hardwick is one of those authors who has been published both as Virago Modern Classic and a NYRB Classic, and there can few greater accolades (other than being a British Library Women Writers author, am I right??) I bought Sleepless Nights back in 2009, and have a couple other books by Hardwick on my shelf, but have yet to read any.

In this novella, a woman looks back on her life – a jumble of recollections and reflections.

It is June. This is what I have decided to do with my life just now. I will do this work of transformed and even distorted memory and lead this life, the one I am leading now. Every morning the blue clock and the crocheted bedspread with its pink and blue and gray squares and diamonds. How nice it is – this production of a broken old woman in a squalid nursing home. The niceness and the squalor and sorrow in an apathetic battle – that is what I see. More beautiful is the table with the telephone, the books and magazines, the Times at the door, the birdsong of rough, grinding trucks in the street.

That is the opening paragraph, and gives an indication of Hardwick’s striking, rather brilliant prose. And I don’t have a lot to say about Sleepless Nights, because my experience of it was finding her writing absolutely sumptuous and wonderful, and seldom having any idea what was going on. Names would recur, but I was unable to attach much by way of character to them. There is a lovely few pages on Billie Holiday, who is the only name I can remember, a day after reading the novella.

But, nevertheless, I enjoyed reading it. Because each sentence is a little masterpiece. It was like relishing a series of beautiful brushstrokes, but seeing them as abstract mini-artworks, rather than cohering into a single portrait. I daresay that is partly that ‘transformed and even distorted memory’, but mainly because of me. I find I am less and less able to put together a novel told in this abstract way, where beauty is prioritised over clarity. But, as I say, that didn’t stop me enjoying and admiring it. Just probably not quite the way that was intended.

To finish on Hardwick, here’s another quote I noted down:

“Shame is inventive,” Nietzsche said. And that is scarcely the half of it. From shame I have paid attention to clothes, shoes, rings, watches, accents, teeth, points of deportment, turns of speech. The men on the train are wearing clothes which, made for no season, are therefore always unseasonable and contradictory. They are harsh and flimsy, loud and yet lightweight, fashioned with the inappropriateness that is the ruling idea of the year-round. pastels blue as the sea and green as the land; jackets lined with paisley and plaid; seams outlined with wide stitches of another color; revers and pockets outsize; predominance of chilly blue and two-tones; nylon and Dacron in the as-smooth-as-glass finish of the permanently pressed.

Day 29: The Peculiar Life of a Lonely Postman (2005) by Denis Thériault

What a perfect little novella The Peculiar Life of a Lonely Postman is. Translated from French by Liedewy Hawke, Thériault’s book is a perfect use of the form – using the slim space to somehow make something with a beauty that depends on delicacy and brevity.

Bilodo is a postman in his late-20s, and perfectly happy. ‘He wouldn’t have wanted to swap places with anyone in the world. Except perhaps with another postman.’ He doesn’t have a girlfriend and doesn’t have many close friends. When he is not delivering letters up and down the many, many steps of the tall buildings on rue des Hêtres, he mostly spends his time in his small apartment, playing videogames and ignoring the attempts of a colleague to find him a girl.

But he does have one illicit pastime:

Among the thousands of soulless pieces of paper he delivered on his rounds, he occasionally came across a personal letter – a less and less common items in this era of email, and all the more fascinating for being so rare. When that happened, Bilodo felt as excited as a prospector spotting a gold nugget in his pan. He did not deliver that letter. Not right away. He took it home and steamed it open. That’s what kept him so busy at night in the privacy of his apartment.

And, one day, one of the envelopes he steams open only includes this:

Under clear water
the newborn baby
swims like a playful otter

He discovers that a woman in Guadalupe, Ségolène, is exchanging haikus with a man on Bilodo’s postal route, Grandpré. Of course, Bilodo can only read Ségolène’s side of the exchange – but he grows obsessed with her, with the haiku form, with this curious relationship that expresses itself solely, and slowly, through the exchange of written verse.

I don’t want to spoil more of the novella, which only comes in at 108 pages, but Bilodo gets much more involved in the correspondence. And the end of The Peculiar Life of a Lonely Postman is unexpected, brilliant, and curiously beautiful. I gasped, and yet it is the sort of denouement that confirms the beauty of what has gone before.

This is the second novella I’ve read this May about someone discovering a stranger’s personality through their verse, and I think does it more subtly. I’m so impressed by Hawke’s ability to translate the Haikus in a way that, I assume, keeps both their original meaning and the feel. Because the feel is the most important part. And the feel of the whole novella is lovely – precise, delicate, poignant.