A trip to Bookcase, Carlisle

Gosh, July has been busy. I spent a week up in the Lake District with work, and I’m just off on holiday for a week shortly – unusually for me, since I usually only take holidays during the cheap, unpopular winter months. While I was up in the Lake District, I did the 1.5 hour round trip to Bookcase in Carlisle.

People often talk to me about Barter Books in Alnwick, and they are much-loved. For my money, though, Bookcase is a far superior northern secondhand bookshop – albeit the other side of the country. It is rather ramshackle and doesn’t have the same polish, but it is a wonderland for true book hunters.

You enter a largeish room filled with bookcases, and it seems like a good sized bookshop. But, friends, that is just the beginning. The bookshop expands over four floors, each one a warren of rooms and corridors. There’s no real hope in knowing where you are at any one time. I just kept walking until I found a staircase. You’d never be able to see every room properly, let alone every shelf. Last time I was there, when I thought I was done, I stumbled across a room filled with thousands of paperback novels. It’s such an amazing place. And, as you can see above, they also have a lovely little cafe with a courtyard garden.

ANYWAY, having said all that, here are the books I bought. They had quite a few amazing hardback finds that I didn’t buy, simply because I’d bought them already – which is why I’ve ended up with more paperbacks than I might have expected.

Sunday by Kay Dick
An Affair of Love by Kay Dick
Solitaire by Kay Dick

I haven’t read They by Kay Dick, which everyone was raving about last year, but I do very much like her interviews with Ivy Compton-Burnett and Stevie Smith. I’d also heard that her novels were quite hard to track down – and so, finding each of these for £3 or £4, I thought it was worth the gamble. I think they’re very different from the dystopian world of They, but I’m interested to discover more about her as a novelist.

Casualties by Lynne Reid Banks
Children at the Gate by Lynne Reid Banks

I’ve recently read one of Banks’ young adult novels (review coming… soon, hopefully?) and remembering how much I absolutely love her. I’ve often left her novels behind on shelves, in the theory that I should read the ones I have first – but when has that every truly stopped me? I decided not to miss the opportunity to buy these (though it’s a shame that very few of her books have ever appeared in pleasing editions).

Tortilla Flat by John Steinbeck

When I posted the pic on Instagram, this was the title that surprised a friend. But I’ve discovered a real love for Steinbeck in his quieter, domestic-fictiony moments. When he’s not trying to write the Great American Novel, he is brilliant at gently showing small-town life. Cannery Row and Winter of Our Discontent were both wonderful, so I have high hopes for this novel – which I hadn’t heard of before.

Fear by Stefan Zweig

I’ll pick up any Pushkin Press edition of Zweig.

The New Providence by R.H. Mottram

I collect Dolphin Books whenever I stumble across them – more on that here – and this is the first one I’ve found in the wild with a dustjacket.

The First Time I… ed. Theodora Benson

Theodora Benson (whose name you might recall from writing the British Library Women Writers title Which Way?) edits a collection of different authors sharing memoirs about the first time they did various things. And the contributors really are a who’s-who of 1930s writers. In fact, why not, here’s the full list: Louis Golding, Howard Spring, William Gerhardi, Beverley Nichols, Betty Askwith, Antonia White, Evelyn Waugh, Arthur Bryant, Dorea Stanhope, Hugh Kingsmill, Rose Macaulay, Prince Leopold Lowenstein-Wertheim, P.G. Wodehouse and Theodora Benson herself. Benson also illustrates with drawings of each author, and her gifts perhaps lie elsewhere.

My Sister’s Keeper by L.P. Hartley

Hartley deserves to be known for far more than The Go-Between, and I continue to add to my Hartley shelf. I hadn’t heard about this one before – have you?

Mosaic by G.B. Stern

And, finally, a Stern novel – I believe it is the third in a series starting with The Matriarch, and I have all three and haven’t read any. The bookseller could tell by a mark on the inside cover that it had been there ‘years and years’ – I wonder how many? The price wasn’t quite in shillings…

Where would you start? Anything I should leap towards?

Come and see me at the Marlborough Literary Festival!

Friends, I have exciting news!

I’m going to be speaking at the Marlborough Literary Festival on 29 September – discussing all things British Library Women Writers. As you can imagine, I leapt at the chance. I’ll be talking about my favourites from the series, some of the obstacles and solutions in finding rights, and (since it’s in Wiltshire), the book in the series with a Wiltshire connection.

When I was speaking to the Marlborough Literary Festival team about it, they asked if I could think of anybody who might want to interview me – and naturally I thought of my ‘Tea or Books?’ co-host, Rachel! So fans of the podcast – this is our first ‘on the road’ episode, sort of.

You can get tickets now on the Marlborough Literary Festival website – do come and say hello if you come along.

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How is A Century of Books going, then?

We are somehow halfway through 2024 (which doesn’t SOUND real, but the calendar says it is) – and that means I’m halfway through my timeline for A Century of Books. For the uninitiated, that’s a year where I’m trying to read a book published every year between 1925-2024 throughout 2024. Not in order, naturally. As I read them, I’m adding reviews to my masterlist. It’s not quite up-to-date, but I’m not doing badly on the review front.

But how am I doing with dates? Where are the gaps? You’d think I should be at about 50 books – but it’s quite that easy, as the further through the year we get, the more likely I am to be doubling-up on my reading. For example, I read nine books in June and… none of them qualified for A Century of Books. They were all repeats. Eek.

Ok, here’s how I’m doing – spliced into decades:

1925-1929: 4/5

1930-1939: 7/10

1940-1949: 5/10

1950-1959: 6/10

1960-1969: 5/10

1970-1979: 3/10

1980-1989: 4/10

1990-1999: 3/10

2000-2009: 6/10

2010-2019: 9/10

2020-2024: 4/5

In total, that means I’ve read 56 of my 100 books. Bear in mind that includes quite a few from A Book A Day in May, so I had hoped to be a little far ahead – but the numbers above also reveal my tricky eras. As I might have predicted, I am rather behind in the 1970s-1990s, so might have to dwell in that period for a while.

Incidentally, I’ve read just under 100 books so far this year, so I really need to be more disciplined in the books I’m taking off the shelves… Can’t afford a repeat of my no-qualifying-reads of June.

But we don’t need to panic yet. I think it’s very doable. Wish me luck!

StuckinaBook’s Weekend Miscellany

Hello! I’ve been very quiet in June, perhaps as a reaction to all those book reviews (albeit mini reviews) during A Book A Day in May. It’s also been a really busy time – but good things. I saw Taylor Swift! I went to a lovely wedding! I’m off this weekend to see two of my new godchildren! It’s been full of fun, and also full of hayfever. (Summer has also only just come, it feels like, so I think I’ve read in my garden twice this year – normally it would be well into the dozens by now.)

I’ll give you an update next week on how A Century of Books is going at the halfway point (I have good and bad news), and Rachel and I will be recording the next Tea or Books? episode on 11 July – if you fancy joining in, we’re reading A Bookshop of One’s Own by Jane Cholmeley and A Room of One’s Own by Virginia Woolf. Incidentally, I was telling a friend about the latter today, and she thought I was saying A Room of One Zone. Quite tempted to write that book now?

I hope you have a lovely weekend up ahead, and here’s to the excitement of a General Election next week (and, I’m crossing fingers, a long-awaited change). I’ll leave you, as ever, with a book, a blog post, and a link.

1.) The blog post –  I think Radhika is one of the very best blog reviewers out there, and this week she’s turned her attention to my favourite R.C. Sherriff novel, Greengates.

2.) The book – Have I mentioned yet that Edward Carey has a new novel coming out? I’ve loved his books since I first picked one up in 2008, and he made a big splash with Little, about Madame Tussaud. The latest is called Edith Holler – about a young a woman in 1901 Norwich who is forbidden, by her father, from leaving the playhouse she lives in. What a marvellous, Careyesque premise. It’s not out in the UK until October, though apparently has been out in the US since late last year.

3.) The link – Voting this week and haven’t decided yet? This is a handy tool to find out which parties most align with your politics. (And this is a handy tool for helping with tactical voting, if that’s your jam.)

Everything’s Too Something! by Virginia Graham

Towards the end of A Book A Day in May, I read Virginia Graham’s Everything’s Too Something! (1966) and said I wanted to write about it a longer length – because it is such a delightful book, and I didn’t want to short change it.

I first came across Graham because Persephone Books publish her poetry – and that led me to her absolutely delightful correspondence with Joyce Grenfell, published as Dear Joyce, Dear Ginnie. From there, I turned to Here’s How and Say Please, which are a spoof how-to guide and a spoof etiquette guide respectively. She has that Provincial Ladyesque humour, combining self-deprecation and wry wit, and I relish it.

Everything’s Too Something! is a collection of essays that were originally published in Homes and Garden. Do magazines like that still have humorous columns in them? Are they of such joyful quality? Across the 36 short essays in this book, Graham covers some topics that link to Homes and Garden – though, curiously, they include how awful it is to have to tour around somebody’s garden. But really she turns her attention to anything – anything, that is, that would fall into the attention of a middle-class, middle-aged woman in the 1960s.

This ‘review’ is likely to end up being simply a list of quotes that amused me, so let’s just go with that. I think she (again, like E.M. Delafield’s Provincial Lady) is very good at the comic list, getting exactly the right balance of relatable observation with the slightly outlandish. For instance, here on friends of friends whom you haven’t met…

The friends of friends are always a problem. Some can be ardently welcomed into the circle, but there are always a number who not only do not get loved but are more or less mythical. Joyce can go on talking about Enid for years; how well she cooks ravioli, how she has composed a trio for horn, bassoon and drums, how sweet her chilren are, how ill her mother is, what she said to the magistrate, where she gets her corsets and a host of other intimate details relating to her life. And yet one never gets round to meeting the woman. ‘You would love her I’m sure,’ says Joyce. ‘I’m sure I would,’ you reply half-heartedly.

I’m not sure Graham would have considered herself at the forefront of 1960s feminism, but she does her bit for exposing the foibles of the patriarchy – mostly by satire. There’s a funny section on not trusting male drivers, for example, and there’s this from an essay on men and women living together:

It is unfortunate how many women are idea-prone. A man is an impractical creature, and a woman often can’t help having an idea which would get him out of the mess he is in – and, incidentally, the mess she will have to clear up. She might, for instance, have an idea about getting out the step-ladder instead of balancing the telephone directory on a stool on a table.

She might have an idea that it is better to start a bonfire with small sticks rather than full-grown trees. She might even go so far as to have an idea that the nails she has been handing one by one to her husband for an hour, might to advantage be parked on some adjacent shelf, or even in his pocket.

Then there’s this little snapshot of courtship vs marriage:

I remember my husband, when he was my fiancé, licked down, with his little pink tongue, all the envelopes for our wedding invitations. When it came to our first post-marriage party he refused to lick down one because, as he confessed, it made him feel sick and always had. The only thing a wife can deduce from this is that love wanes on marriage, and that her dear one is not prepared to feel sick for her now the nuptial knot has been tied.

Graham was 56 when the book was published, and had got to a time of life when she could write this next excerpt, though from the vantage of 38 I feel much the same some days:

The nice thing about getting to my age is that there are so many nice things to complain about. Of course, the young complain too, but their grumbles are usually concerned with more cosmic things such as the Condition of Man. The Condition of the Roads doesn’t worry them at all.

Most non-fiction published nowadays is described as ‘important’, and there’s definitely space for books which challenge our worldview, shows us about lives we know nothing about, educate us and so forth. I’m not sure how often, today, books are published like Everything’s Too Something! – that is to say, trivial and diverting, but also exceptionally well written. Caitlin Moran is the closest that comes to my mind, though even her writing has become increasingly keen to be important. I love that there is also room on the shelf for someone like Graham – whose writing couldn’t possibly be considered important, but is absolutely wonderful nonetheless.

Tea or Books? #128: Do We Read Plays? and Fifty Sounds vs The Housekeeper and the Professor

Polly Barton, Yoko Ogawa, and plays – welcome to episode 128!

In the first half of today’s ‘Tea or Books?’ episode, Rachel and I revisit a topic from years ago – plays! Specifically, do we think that plays should be read on the page, as well as seen on the stage. In the second half, we compare two books with a Japanese theme: Polly Barton’s Fifty Sounds, a non-fiction about moving to Japan and learning the language, and Yoko Ogawa’s novel The Housekeeper and the Professor, translated by Stephen Snyder.

You can get in touch with suggestions, comments, questions etc (please do!) at teaorbooks[at]gmail.com – we’d love to hear from you. Find us at Spotify, Apple podcasts, wherever you get your podcasts. And you can support the podcast at Patreon. If you’re able to, we’d really appreciate any reviews and ratings you can leave us.

The books and authors we mention in this episode are:

A Body Made of Glass by Caroline Crampton
The Dept of Speculation by Jenny Offill
Weather by Jenny Offill
Conventional Wisdoms by Jocelyn Brooke
The Hiding Place by Trezza Azzopardi
One Good Turn by Dorothy Whipple
Someone at a Distance by Dorothy Whipple
They Were Sisters by Dorothy Whipple
They Knew Mr Knight by Dorothy Whipple
The Road to Wigan Pier by George Orwell
J.B. Priestley
Tennesse Williams
The Dover Road by A.A. Milne
The Second Mrs Tanqueray by Arthur Wing Pinero
Private Lives by Noel Coward
Hay Fever by Noel Coward
Still Life by Noel Coward
Dear Octopus by Dodie Smith
Caryl Churchill
Lungs by Duncan Macmillan
People, Places and Things by Duncan Macmillan
Infinite Life by Annie Baker
Paula Vogel
White Noise by Suzan-Lori Parks
Posh by Laura Wade
The Watsons by Laura Wade
Jane Austen
Miss Elizabeth Bennet by A.A. Milne
Mr Pim Passes By by A.A. Milne
A View From the Bridge by Arthur Miller
A Bookshop of One’s Own by Jane Cholmeley
A Room of One’s Own by Virginia Woolf

StuckinaBook’s Weekend Miscellany

It’s been a while since I did a Weekend Miscellany – I had a few thoughts for them in May, but A Book A Day took over. I also realised I was going to reflect on A Book A Day In May and haven’t yet. Well, this year it was harder than before, I’ll admit. That was a mix of my eyes not being great (they never fully recovered after getting Covid for a second time last September, though are nowhere near as bad as they were in December 2022, praise the Lord), having a busier-than-usual calendar, and possibly having read an awful lot of the obvious novella choices already. The second half of the month was definitely easier, and I finished some fantastic books. Will I do it again next year? Well, probably.

My only project for June is Reading the Meow, Mallika’s week of cat-themed reading, which kicks off on Monday.

But let’s have a book, a blog post, and a link – happy weekend!

Forest Silver: A Lake District Story: 23 (British Library Women Writers):  British Library Women Writers 1940s

1.) The book – Somehow I’ve not mentioned the latest British Library Women Writers book?! It’s Forest Silver by E.M. Ward, set in wartime in the Lake District. It’s not one I chose for the series, but it’s an interesting look at what war was like outside of London – which so often dominates ‘home front’ novels.

2.) The link – John Self has written as fascinating post on Booker prizewinners that were initially rejected by publishers, over at the Booker Prize website. It’s very well researched, and particularly interesting is the way people differently remember (often to their own advantage) the rejection process…

3.) The blog post – Moira always writes such interesting posts at Clothes in Books, and this one from May on mourning clothes in books is particularly intriguing.

Finishing off #ABookADayInMay

Well, here we are! For the third? fourth? year in a row, I’ve finished a book a day in May. I’ll get onto some thoughts about this year’s experience in a moment, but let’s rattle through the final three books…

24 for 3

24 for 3 (2007) by Jennie Walker

This novella is strong competition for ‘review book that sat on my shelves for the longest period’, as Bloomsbury sent it to me in 2008. It was independently published by the author the year before, so I’m considering it a 2007 title. And the author is in fact poet Charles Boyle – ‘Jennie Walker’ is a pseudonym he has used only once, so far.

24 for 3 is from the perspective of a middle-aged woman and her musings over the course of a week – mostly about her stepson, her husband, and the man she is having an affair with (whom she refers to as ‘the loss-adjustor’). As the title suggests to those in know, this is also a novella about cricket. But her husband and the loss-adjustor are cricket fanatics, and some matches between England and India recur through the week.

What’s the equivalent of a Manic Pixie Dream Girl for a middle-aged man who wants a woman to have an affair with him AND ask him the rules of cricket? It did feel a bit wish-fulfilment at times, and when you know the author is a man, perhaps even less convincing as a real person.

Having said that, it is a rather beautifully written novella – a lovely observant voice, calmly exposing all sorts of truths about human nature. I marked out one paragraph, which is really more about the stepson.

Then his stepmother apologises for speaking to him the way she did and this is sad, almost as sad as the way his parents spend years of their lives fussing about his table manners or whether he’s cleaned his teeth or his toenails need cutting or he’s getting enough vitamin A or B or Q and then suddenly they stop, they ignore him completely, as if the whole family thing has just been a game to pass the time, like throwing balled-up socks. Although after they’ve dropped out oft he game they still insist, when they bother to notice that he’s still around, that the rules apply to him, and that his vitamn levels are the most important things in his life.

I did find the cricket sections more tiresome, as I find pretty much anything about sport in any context. But otherwise it was a really good little book, and it’s a shame there aren’t any more novellas under Walker’s name. Better late than never?

Everything’s Too Something! (1966) by Virginia Graham

This is a collection of short humorous essays collected from Homes and Garden, of all places. I love Graham’s writing, and I want to review this collection properly – rather than in a speedy A Book A Day in May fashion – so watch this space. She deserves to be better known, and I think she might have been if she’d written this sort of thing thirty years earlier. To tide you over, here’s a paragraph that gives a sense of her tone (and probably, on reflection, couldn’t have been written in the 1930s):

Individualists naturally ahve this tendency to think that laws are not made for them, but in a crowded world, and certainly in this sardine tin of an island, it is difificult to be illegal without inconveniencing somebody else. Contemporary youth, of course, asserts its freedom from conventionality by hitting people over the head with milk bottles, and this causes no little inconvenience too; but even the nonconformists who do not go as far as breaking the law often break the code of good manners by which we painstakingly live with each other.

The Thirteenth Tale (2006) by Diane Setterfield

Everybody was reading this when I started blogging and look, only the best part of 20 years later, I’ve listened to the audiobook!

The premise is fun. Vida Winter is the most famous writer in the UK and famously secretive about her life. Whenever she’s been asked about her history, she’s made up one after another fanciful tales. It’s become part of her lore. But, out of the blue, she writes to Margaret Lea requesting – well, more or less demanding – that Margaret write her biography. So off Margaret goes to Vida Winter’s mansion, kept in residence and regularly taken into Vida’s past with long accounts of her childhood, told by Setterfield as a separate narrative. Margaret is your classic heroine of any book like this: bookishly obsessed with the Brontes, feisty when needed, introspective and clever.

The title of the book, incidentally, comes from a collection of Vida Winter’s stories called Thirteen Tales of Change and Desperation, which only has 12 stories in it. What happened to the thirteenth tale?

I enjoyed the book, and Setterfield is definitely an excellent and involving storyteller. I’m always a bit dubious of narratives-within-narratives but it captivated me more than I thought it would. It wasn’t always immediately obvious (in the audiobook) whether we were in present-day with Margaret as ‘I’ or in the distant past with Vida as ‘I’. Perhaps it is marked out more obviously in the print edition?

I think the narrative-within-narrative device was stretched a bit far when it turns into somebody’s rediscovered diary late in the book, but perhaps Setterfield was harkening to her gothic antecedents. Anyway, it was a fun and diverting novel. I wouldn’t necessarily race to read another by her, but I’m glad I finally read The Thirteenth Tale.

A couple more #ABookADayInMay books (Sylvia Townsend Warner + Marjorie Stewart)

We’re nearly there, everyone! The end is in sight, and it looks HOPEFUL that I’m going to make it. I’m not gonna lie, it’s been harder this year for various reasons – but we can save those thoughts for another day. Today, let’s look quickly at my choices for Day 27 and Day 28.

Image borrowed from Scott’s excellent review

A Garland of Straw (1943) by Sylvia Townsend Warner

I bought most of Warner’s short story collections in one fell swoop in 2011, and since then I’ve been rationing myself – and I have hardly any left. This collection was published in 1943 and most of the stories are war-centred, and chiefly set in the UK. Because they were published in the New Yorker rather than at home, she doesn’t assume too much knowledge about the home front in England – which means they can be accessed easily by the 21st-century reader.

Some of the best stories in here are very much wartime experiences. I loved ‘From Above’, about a woman evacuating her home because a time-bomb has been discovered nearby. ‘Noah’s Ark’ – about child evacuees in the countryside, and their disdain for rural animals in comparison to the city zoo – is brilliant on the spitefulness that can lie deep in adults. There is a sly horror in a story about a woman returning to her ancestral home, which was requisitioned for soldiers to be stationed there, and finding it so badly damaged that people think it’s been bombed. She’s excellent on the bland, friendly truisms that cannot forge any emotional comfort in a crisis, however kindly meant. Another strong story, very Warner, is on a political firebrand who cannot stop himself getting Jane Austen novels out of the library.

At their best, the stories have Warner’s inimicable airy sharpness. She can so incisive about people without any malice – a searing description with the objectivity of a photographer and the subjectivity of a gossip. This isn’t quite an example of that, but it is a very Warner opening (to ‘Out of My Happy past’):

When I was young there were two thigns that I lived for. One was music and the other was advice. In the matter of music I was fairly eclectic; I liked listening to it, performing it, transcribing it, and composing it. In the matter of advice my tastes were purer; I only liked giving it and, to itnerest me, it had to be uncontaminatedly my own.

The stories in A Garland of Straw seem shorter than most of her work (though I’d have to flick through some others to check that) – and it is a little to their detriment. Some short story writers really thrive on the incredibly brief story (Marjorie Barnard was great at that), while others make full use of 40-50 pages (Alice Munro, anyone). I think Warner is best at about 20-25 pages, and most of the stories in A Garland of Straw are under 10 pages. It doesn’t quite give her enough room to breathe, in some cases. She doesn’t really do stories that rely on shock or the striking moment. Rather, her stories are representative pieces of lives.

Some of the stories in A Gardland of Straw are a bit forgettable, and others don’t have time to flourish to their potential. And then there are some that are brilliant. It’s a bit of a mixed bag, and not a collection which shows her at her absolute best – for that, I’d recommend Swan on a Autumn River (published in the US as A Stranger With A Bag). But middling Warner short stories are still a good read, and there’s a lot to admire.

I Will Hold My House (1950) by Marjorie Stewart

I Will Hold My House is one of those novels that could be brilliant if it had been rather less ambitious. Or maybe the issue is with my memory. There are just SO many characters that it’s impossible to keep track of them all.

The novel is about a series of houses along the coast in Sussex, each with occupants facing their own crises and triumphs and regrets and hopes. I counted 26 major characters. We go in and out of the houses for the first chapter or two, and I made copious notes on the inside cover of what the houses were called, who lived in them, which was next to which. Often we learn these things in several stages…

There are so many that, each time Stewart cycles through them, they barely have time to do more than express a single motion before the whole whirl starts again. Gradually, some stood out more than others – but I can’t say I particularly cared about any of them. The writing was good enough – a better-than-average domestic novel, but without any bite or sharpness to set it apart. I enjoyed it enough to finish it, but I don’t think I’d recommend it to anyone.

Dept. of Speculation by Jenny Offill #ABookADayInMay Day 26

Dept. of Speculation: Jenny Offill (Best of Granta)

I can’t remember who first recommended Dept. of Speculation (2014) to me, but it was on one of the posts where I talked about loving books told in fragments – specifically Kate Briggs’ This Little Art, Carmen Maria Machado’s In the Dream House and Joan Givner’s Self-Portrait of a Literary Biographer. Those are all non-fiction – until I read Offill’s novel, I hadn’t tried anybody doing anything like that for fiction.

Dept. of Speculation is told in hundreds of fragment paragraphs – most over a few lines, though the longest are about a page and the shortest are one or two words. Together, they tell the story of a relationship, from dating to marriage to a lost pregnancy to a child to an affair. I don’t know if there is any autobiography in there – the unnamed female narrator of the fragments is a writing teacher who has published one novel and struggles to write the second. Offill was certainly all those things, though I couldn’t speak to her relationship.

Something I love about this splintered approach to writing is that there are no restrictions on tonal consistency. You might dive suddenly into the most heart-piercing moment of a relationship breakdown, or the joyful surprises of motherhood, or the painful fears of the same. And, next to this emotional peak, Offill will write something entirely objective – about the Voyager space mission, for instance (it is relevant in context), or – well, this is the opening fragment/vignette/call-it-what-you-will:

Antelopes have 10x vision, you said. It was the beginning or close to it. That means that on a clear night they can see the rings of Saturn.

This approach builds up a composite picture of the relationship that a more traditional, linear novel could do, but it will feel less fresh and perhaps a bit laboured. I don’t think you could get away with the same sharp philosophy or character insight that Offill can use – for instance, this next fragment works because of the format of the book. I think it would feel awkward in a less formally innovative novel:

There is such crookedness in my heart. I had thought loving two people so much would straighten it.

I wasn’t sure that a novel in vignettes could sustain the level of character development one would hope for – particularly over the course of several years. But somehow Offill manages to portray the shifting state of the marriage, and the similarly evolving relationship of mother and daughter. You can convey so much in snapshots.

Stop writing I love you, said the note my daughter wrote over the one I had left in her lunchbox. For a long time, she had asked for a note like that every day, but now a week after turning six, she puts a stop to it. I feel odd, strangely light-headed when I read the note. It is a feeling from a long time ago, the feeling of someone breaking up with me suddenly. My husband kisses me. “Don’t worry, love. Really, it’s nothing.”

There is so much nuance in the novel. It’s not a case of marriage-collapsed-by-adultery. There is a complex response to it, with some of the complexity being what falls between the vignettes. The absence of every detail doesn’t diminish the novel. Somehow it elevates it.

I was so impressed by Dept. of Speculation (incidentally, the curious title refers to the faux ‘return address’ both the man and the woman would put on the back of letters). I think it’ll stay in my mind for a long time, and I’ll doubtless re-read. If you have any other recommendations of fiction or non-fiction told in vignettes, or fragments of paragraphs, I’d love to hear them.