A lot of you will have been enticed by Mrs. Darcy’s Dilemma by Diana Birchall, a sequel to Pride and Prejudice, which was reviewed by me here, and all over the blogosphere. Well, Diana has very kindly agreed to answer a few of my questions about herself and her novel… but, having stepped into Jane Austen’s shoes once, I shouldn’t expect her to relinquish them absolutely. Their voices intertwine throughout… see if you can spot the joins…
-So, Diana, tell us a bit about yourself…
“What wild imaginations one forms where dear self is concerned!” as Anne Elliot said in Persuasion. But you will say (like Elizabeth), “I cannot make you out. I hear such reports of you as puzzle me extremely.” So would Jane Austen have described me like Lady Catherine, with “strongly marked features, which might once have been handsome”? Or think me given to “fat sighings,” like Mrs. Musgrove in Persuasion? Perhaps we had better quit the subject, though you may protest, as Elizabeth did, “But if I do not take your likeness now, I may never have another opportunity.” I will only conclude that I am, like Elizabeth, a ‘studier of character,” and leave it at that.
You can be in little doubt by now that if you read Jane Austen so many thousands of times as will always be called ten, and start channeling her characters until they talk to you, you are in danger of becoming, as Mrs. Elton said about Mr. Knightley in Emma, “very eccentric,” at the very least. Trying to write in something like her style was a madness that first seized me when I won a contest in JASNA’s journal Persuasions, imitating Miss Bates. “Why not do a whole novel like that?” thought I. So that became Mrs. Darcy’s Dilemma, in 1994. It was the first Austen sequel written since Pemberley Shades in the 1940s, as far as I knew; and I thought I was inventing the form. Unfortunately for me, there are not so many ideas in the world as there are aspiring writers to seek them, and with uncanny synchronicity, others went and did likewise. I sent the manuscript to a London literary agent, who, since the idea was in public domain, “assigned” it to Emma Tennant to turn out in a couple of months to get ahead of the American competition. There ensued a War of the Sequels. I had a New York literary agent who’d been anticipating a bidding war centering around me, but it never happened: I was the least known of the aspirant sequellists, and no one would publish my effort. “Put it away for ten years,” the agent said, “and it will be published.” How right he was; but I remember flinging myself down on the floor of the Novel Cafe in Santa Monica where I write, and uttering a primal howl of despair. You will say that was not Jane Austen-like behaviour, but it did closely resemble Marianne’s paroxysms of grief over Willoughby’s defection in Sense and Sensibility. At the age of five I had declared I would be an Authoress, and forty years later, I still had not achieved it. I thought I was a most ill used creature; but I have since learned that a writer’s life has as many disappointments as joys – Jane Austen could have told me that, had I been really listening. As she has Elizabeth say, “But now suppose as much as you chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err.” Substitute the word “published” for “married” and you will know how I feel.
Well, first Jennifer Ehle comes on the screen, to be replaced by Keira Knightley. Or is it Elizabeth Garvie? And then Colin Finch takes off his wet shirt and Darcy and Elizabeth consummate their marriage on a Plinth outside Chatsworth with strobe lights on their beautiful depilated odalisque bodies. Oh, dear, I am running mad again. No vision that dreadful could possibly happen, no, not if Jane Austen’s novels lasted two – or even three – hundred years. But you mean my novel of course, not the movies. And my novel will never be a movie – as Mr. Crawford said in Mansfield Park, “That lady will never allow a theatre at Everingham.”
-How has time changed Mrs. Darcy?
“My dear sister, now be, be serious,” Jane Bennet said to Elizabeth. So I will tell you without embellishment that Mrs. Darcy’s Dilemma takes place in 1837, when the young Queen Victoria is coming to the throne. Mrs. Darcy has been married five and twenty years, and naturally she and the times have both changed. The Railroad is starting to alter the face of England for ever, and in manners a certain Regency roguishness is giving way to early Victorian decorum. Elizabeth herself, now between forty and fifty, is still in love with her husband, who still smiles tenderly when he looks at her. However, even living in a great house does not remove cares; and Elizabeth is anxious about many things, her grown children, her father, her sisters.
-What do you think Jane would think?
-What makes an ideal hero in a novel?
If a novel has an ideal hero, than that novel is a bore. Mr. Darcy himself was never an ideal hero, but a man with plenty of flaws; in my imagination they are mellowed, but I regret to tell you that he is losing his hair.
-And what should be there in an ideal heroine?
But now I ought to conclude with Mrs. Bennet’s rejoinder, “Remember where you are, Lizzy, and do not run on in the wild manner that you are suffered to do at home.”
How lovely to get the author’s comments fresh for your blog. I have despaired of other sequels but will definitely be trying this one.
It is a truth universally acknowledged that a popular subject treated beautifully in sequel will be unscrupulously purloined by others more famous.
But I am so glad that Mrs Darcy’s Dilemma has finally made it into the world – and is seeing off all sequels. I have heard about its beauty and originality and shall be reading it soon.
May Byron treat you well, Diana, and thank you for such a wonderul interview Simon.
Lovely interview — thanks Diana and Simon!
What a scoop! A delightful Monday morning read – but. Oh, Diana, will Colin forgive you for referring to him as Finch instead of Firth? Ah me!
Dearest Diana —
I AM HUMBLED at your abilities to purloin the voice of Jane Austen so sumptuously and wittily, with such pomme de terre and elair. Pray call me on the thingamajig as I should like to interview you for our very redoubtable publication CINEMA WITHOUT BORDERS (www.cinemawithoutborders.com). I trust you will be reading these cyber-epistles and will respond post-haste. James von Ulm
Diana’s writing voice never fails to delight me. I know her through a much more casual context in a piffling sort of YahooGroup, and even there her posts are witty and delightful to read, no matter what they’re about.
Thanks for providing us with this most entertaining interview.