A Century of Books

2018 is going to be the year of A Century of Books – henceforth to be known as ACOB. I don’t think I’ve mentioned it here before, only on Twitter, but hopefully it’s not too late for people to join in if they’d like to.

What is ACOB, you ask? Back in 2012, I thought it would be fun to try to read and review a book for every year of the 20th century – not in order – and various people joined in, with different targets. Some wanted one book for each decade; some wanted to do it over 2, 3, or 4 years. Essentially, you can make up your own rules. I think Claire from The Captive Reader was the only other person aiming to do 1900-1999 in one year, and… we both did! Here’s what Claire read, and here’s what I read. My post also has some stats and tips; Claire also has some helpful hints on how to get the most from ACOB.

I’m thrilled to say that Claire is doing it again this year! My century is shifting a bit – I’m going to do 1919-2018 – and I’ll keep track of the reviews on this page. If you’d like to, please do join in in whatever form you choose – I certainly found it one of the most rewarding and enjoyable (and, in the final month or so, frustrating!) reading projects I’ve ever undertaken. The best thing about it is that it is the anti-project, as you can more or less read at whim – at least for the first two-thirds of the year…

Let me know if you’re joining in, and… here we go!

1919 – The Sheik by E.M. Hull
1920 – In the Mountains by Elizabeth von Arnim
1921 – Mr Waddington of Wyck by May Sinclair
1922 – The Lark by E. Nesbit
1923 – Sphinx by David Lindsay
1924 – Bill the Conqueror by P.G. Wodehouse
1925 – The Human Machine by Arnold Bennett
1926 – The Murder of Roger Ackroyd by Agatha Christie
1927 – Leadon Hill by Richmal Crompton
1928 – As Far As Jane’s Grandmother’s by Edith Olivier
1929 – First and Last by V.L. Whitechurch
1930 – Vile Bodies by Evelyn Waugh
1931 – Buttercups and Daisies by Compton Mackenzie
1932 – Invitation to the Waltz by Rosamond Lehmann
1933 – A Thatched Roof by Beverley Nichols
1934 – Concert Pitch by Theodora Benson
1935 – Death in the Clouds by Agatha Christie
1936 – The Birds by Frank Baker
1937 – Hunt the Slipper by Violet Trefusis
1938 – Excellent Intentions by Richard Hull
1939 – The Priory by Dorothy Whipple
1940 – The Cat’s Cradle Book by Sylvia Townsend Warner
1941 – Soap Behind the Ears by Cornelia Otis Skinner
1942 – House-Bound by Winifred Peck
1943 – We Followed Our Hearts to Hollywood by Emily Kimbrough
1944 – Company in the Evening by Ursula Orange
1945 – The Demon Lover by Elizabeth Bowen
1946 – Prater Violet by Christopher Isherwood
1947 – Tell It to a Stranger by Elizabeth Berridge
1948 – The Plague and I by Betty Macdonald
1949 – By Auction by Denis Mackail
1950 – Anybody Can Do Anything by Betty Macdonald
1951 – Lise Lillywhite by Margery Sharp
1952 – The Gentlewomen by Laura Talbot
1953 – Guard Your Daughters by Diana Tutton
1954 – The Gipsy in the Parlour by Margery Sharp
1955 – Onions in the Stew by Betty Macdonald
1956 – The Fountain Overflows by Rebecca West
1957 – Tea with Walter de la Mare by Russell Brain
1958 – The Sweet and Twenties by Beverley Nichols
1959 – The Young Ones by Diana Tutton
1960 – The L-Shaped Room by Lynne Reid Banks
1961 – Albert the Dragon by Rosemary Weir
1962 – Cassandra at the Wedding by Dorothy Baker
1963 – Two By Two by David Garnett
1964 – Further Adventures of Albert the Dragon by Rosemary Weir
1965 – The Millstone by Margaret Drabble
1966 – Random Commentary by Dorothy Whipple
1967 – Stonecliff by Robert Nathan
1968 – Several Perceptions by Angela Carter
1969 – The French Lieutenant’s Woman by John Fowles
1970 – A Tale of Two Families by Dodie Smith
1971 – A Meaningful Life by L.J. Davis
1972 – The Devastating Boys by Elizabeth Taylor
1973 – The Norman Conquests by Alan Ayckbourn
1974 – Mrs Harris Goes to Moscow by Paul Gallico
1975 – Turtle Diary by Russell Hoban
1976 – Just Between Ourselves by Alan Ayckbourn
1977 – Apple of My Eye by Helene Hanff
1978 – Albert’s World Tour by Rosemary Weir
1979 – The Book of Laughter and Forgetting by Milan Kundera
1980 – Desirable Residence by Lettice Cooper
1981 – Still Missing by Beth Gutcheon
1982 – The High Path by Ted Walker
1983 – Another Time, Another Place by Jessie Kesson
1984 – According to Mark by Penelope Lively
1985 – Unexplained Laughter by Alice Thomas Ellis
1986 – The Silent Twins by Marjorie Wallace
1987 – Crossing to Safety by Wallace Stegner
1988 – Man of the Moment by Alan Ayckbourn
1989 – The Education of Harriet Hatfield by May Sarton
1990 – Touching the Rock by John M. Hull
1991 – Ride a Cockhorse by Raymond Kennedy
1992 – The Devil’s Candy by Julie Salamon
1993 – Pigs in Heaven by Barbara Kingsolver
1994 – When Heaven Is Silent by Ron Dunn
1995 – An Anthropologist on Mars by Oliver Sacks
1996 – Silence in October by Jens Christian Grøndahl
1997 – Naked by David Sedaris
1998 – Family Man by Calvin Trillin
1999 – An Equal Music by Vikram Seth
2000 – Letters From the Editor by Harold Ross
2001 – The Real Mrs Miniver by Ysenda Maxtone Graham
2002 – The Pelee Project by Jane Christmas
2003 – Kamchatka by Marcelo Figueras
2004 – A Reading Diary by Alberto Manguel
2005 – The Curtain by Milan Kundera
2006 – Mr Thundermug by Cornelius Medvei
2007 – Two Lives by Janet Malcolm
2008 – Who Was Sophie? by Celia Robertson
2009 – Remarkable Creatures by Tracy Chevalier
2010 – Ilustrado by Miguel Syjuco
2011 – The Psychopath Test by Jon Ronson
2012 – The Other Mitford: Pamela’s Story by Diana Alexander
2013 – Wave by Sonali Deraniyagala
2014 – The Reader on the 6.27 by Jean-Paul Didierlaurent
2015 – Awkward Black Girl by Issa Rae
2016 – Golden Hill by Francis Spufford
2017 – Scribbles in the Margins by Daniel Gray
2018 – Bookworm by Lucy Mangan

My Best Books of 2017

I always love sitting down at the end of the year and compiling my favourite reads of the past 12 months. Often I haven’t really noticed whether it’s been a good or bad year (reading-wise) until I do this – and I’d say 2017 has been steadily very good. Only one of the books I read is likely to find its way onto my all-time faves, but there were dozens that I’d have been very happy to see on an end of year list. And it’s been a very good year for mid-century books!

 

My usual rules for myself apply – only one book by each author can feature, and no re-reads. Each title links back to my review. Here they are, from #10 to #1…

 

Rachel and I read this for ‘Tea or Books?‘ back in February, comparing it another novel about the Thompson/Bywaters murder case (E.M. Delafield’s Messalina of the Suburbs). It’s probably the podcast ep I’m proudest of, as I think this comparison is fascinating – and FTJ’s exquisite novel won that podcast decision and tenth place on my list.

 

When I read Howards End is on the Landing, there was never any doubt that it would be my favourite book that year. I’ve eagerly awaited the sort-of-sequel ever since, and I did absolutely love it. The only reasons it isn’t higher are that I wanted more about books, and perhaps slightly fewer bizarre pronouncements from Hill. Still, nobody else could have written quite this book.

 

I’ve read any number of Taylor novels, and read this one for a conference on Undervalued British Women Writers 1930-1960. It’s more dramatic and dark than many of Taylor’s novels, but absorbingly brilliantly brilliant.

 

Look, I’m never going to get over how much I love the title of this book – which looks at the history of the ‘Shakespeare authorship question’ over the years. Shapiro saves his unanswerable reasons for being pro-Shakespeare until the final chapter; before this he is wise, amusing, and thorough.

 

This quirky, brilliant novel is a masterpiece of unusual structuring, and entirely beguiling. It was also given to me by a friend who died this year, which makes it (and her recommendation) all the more special.

 

I’ve yet to write a review of this one, but I’ve linked to the podcast episode where we compared it to Eden’s other novel, The Semi-Attached Couple. This is a very funny, very arch novel in the mould of Austen, elevating itself past imitation into something rather wonderful.

 

Also published as A Stranger With a Bag, I only reviewed this collection of short stories a week or so ago – I’m glad I waited to make my Best Books list, because these observant, calm, insightful stories are a thought-provoking delight.

 

I reviewed this over at Shiny New Books, and it’s a hilarious account of a year in the life of a Scottish bookseller. Bythell is quite cynical and snarky, but if your sense of humour overlaps with his then you’ll laugh and laugh – as well as getting a glimpse into the Promised Land.

 

This was a slow burn, and had to be read gradually, but it was one of the most rewarding reads I’ve had in a while. Timothy Casson is a writer who moves to a small village in wartime and wants boating rights on the river – of such small things are masterpieces made. Rachel and I will be discussing this one in the new year…

 

It truly has been the Year of Beverley. I’ve read quite a lot of books by him this year, but I had to pick the one which kicked off my Beverley love affair – I read Merry Hall for the 1951 Club, and never looked back. This (presumably heightened) account of buying a house and doing up the garden is hilarious, charming, and (praise be!) the beginning of a trilogy. Don’t wait as long as I did to read Beverley – if you haven’t yet, make 2018 the year you read him!

Tea or Books? #50: Question & Answer

To celebrate episode 50, we are doing a question and answer episode!

 

I hope you’ve all had a wonderful Christmas – I’m editing this a few days before Christmas, but I’m going to assume that a wonderful time was had by all. We were really delighted with all the questions that were sent in (thank you!) and have picked 36 of them to discuss in this episode. Tune in in two years’ time for more questions and answers in episode 100!

You can see our iTunes page here, and we always welcome reviews and ratings. We’ll be back in the new year with books we think the other one will love – I chose The Boat by L.P. Hartley for Rachel, and Rachel chose Wallace Stegner’s Crossing To Safety for me.

The books and authors we mention in today’s episode are:

The Railway Journey by Wolfgang Schivelbusch
Coral Glynn by Peter Cameron
Matilda by Roald Dahl
Great Expectations by Charles Dickens
I Capture the Castle by Dodie Smith
Lolly Willowes by Sylvia Townsend Warner
Dorothy Whipple
Rebecca by Daphne du Maurier
Diary of a Provincial Lady by E.M. Delafield
Crazy Pavements by Beverley Nichols
J.B. Priestley (John!)
Pride and Prejudice by Jane Austen
Our Mutual Friend by Charles Dickens
The Semi-Detached House by Emily Eden
The Warden by Anthony Trollope
The Picture of Dorian Gray by Oscar Wilde
Emma by Jane Austen
Jane Eyre by Charlotte Bronte
The Way We Live Now by Anthony Trollope
Lady Audley’s Secret by Mary Elizabeth Braddon
Cranford by Elizabeth Gaskell
Miss Hargreaves by Frank Baker
Aunt Mame by Patrick Dennis
Barbara Pym
The Children’s Book by A.S. Byatt
Captain Corelli’s Mandolin by Louis de Bernieres
The Sea, The Sea by Iris Murdoch
The Sandcastle by Iris Murdoch
Howards End is on the Landing by Susan Hill
The Shelf by Phyllis Rose
The Year of Reading Proust by Phyllis Rose
The Phantom of the Opera by Gaston Leroux
A la recherche du temps perdu by Marcel Proust
The Provincial Lady Goes Further by E.M. Delafield
The Camomile Lawn by Mary Wesley
Tristan Shandy by Laurence Sterne
Tom Jones by Henry Fielding
Joseph Andrews 
by Henry Fielding
Humphrey Clinker by Tobias Smollett
Pamela by Samuel Richardson
Shamela by Henry Fielding
Hotel du Lac by Anita Brookner
The Sense of an Ending by Julian Barnes
Idaho by Emily Ruskovich
My Name is Lucy Barton by Elizabeth Strout
Marilynne Robinson
What Is Not Yours Is Not Yours by Helen Oyeyemi
The Runaway by Claire Wong
News of the World by Paulette Jiles
Miss Boston and Miss Hargreaves by Rachel Malik
Wives and Daughters by Elizabeth Gaskell
Gilead by Marilynne Robinson
To Kill a Mockingbird by Harper Lee
Middlemarch by George Eliot
Enid Blyton
J.K. Rowling
Patricia Brent, Spinster by Herbert Jenkins
Mr Pim Passes By by A.A. Milne
The Debt to Pleasure by John Lanchester
The Gourmet by Muriel Barbery
The Boat by L.P. Hartley
Crossing to Safety by Wallace Stegner

Tea or Books? #49: Death of the Author?, and The Woman in White vs Possession

Wilkie Collins, A.S. Byatt, and the death of the author (sort of) – episode 49 is quite the mixed bag.


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I found it quite hard to describe the first half of this episode – though hopefully it will become clear! – and probably the best thing to do is to tell you how Karen described it when she sent us the suggestion (thanks Karen!). Here goes: ‘is it legitimate to read a biography to shed light on an author’s work, possibly colouring/enhancing your interpretation, or should the novels be allowed to stand alone as works of art and appreciated for themselves, independent of their creator?’

In the second half, we compare The Woman in White by Wilkie Collins and Possession by A.S. Byatt – Victorian vs neo-Victorian – and I Have Thoughts.

In the next episode, we’ll be doing a Q&A – any questions welcomed; pop them in the comments – and early next year we’ve each chosen a book we really think the other one will love. And we reveal them to each other at the end of this episode…

The books and authors we discussed in this episode are:

Swans on an Autumn River by Sylvia Townsend Warner (as published as Stranger With A Bag)
Katherine Mansfield
‘The Phoenix’ by Sylvia Townsend Warner
The Element of Lavishness by Sylvia Townsend Warner and William Maxwell
Victoria: a Life by A.N. Wilson
Charles Darwin, Victorian Mythmaker by A.N. Wilson
The Turn of the Screw by Henry James
Virginia Woolf
Mrs Woolf and the Servants by Alison Light
Ivy Compton-Burnett
Agatha Christie
Forever England by Alison Light
Daphne du Maurier by Margaret Forster
Letters From Menabilly by Daphne du Maurier and Oriel Malet
William Shakespeare
Beryl Bainbridge
Crome Yellow by Aldous Huxley
John Clare
Opening Night by Ngaio Marsh
Elena Ferrante
Dan Brown
A.A. Milne
Frances Hodgson Burnett
Two Middle-Aged Ladies in Andulusia by Penelope Chetwode
John Betjeman
The Woman in White by Wilkie Collins
Possession by A.S. Byatt
Fingersmith by Sarah Waters
No Name by Wilkie Collins
The Law and the Lady by Wilkie Collins
The Children’s Book by A.S. Byatt
The Matisse Stories by A.S. Byatt
The Garrick Year by Margaret Drabble
The Millstone by Margaret Drabble
The L-Shaped Room by Lynne Reid Banks
The Boat by L.P. Hartley
Crossing to Safety by Wallace Stegner

Tea or Books? #45: Do Literary Prizes Affect Our Reading and The Heir vs All Passion Spent

A heated conversation about literary prizes AND Vita Sackville-West. Roll up, roll up for episode 45!


 

Tea or Books logoIn the first half of this fortnight’s episode, we try to determine whether or not literary prizes affect our reading – which wanders off into a broader discussion of what we’re looking for from book prizes. It might get a bit controversial. And in the second half, we’re comparing two novels we love by Vita Sackville-West – The Heir and All Passion Spent.

Do let us know how you’d vote in each half, and rate/review if you would like to. Our iTunes page is over here, and we’ll back in about a fortnight with a couple of novels by Elizabeth Strout.

Here are the books and authors we mention in this episode:

Where Poppies Blow by John Lewis-Stempel
The Semi-Attached Couple by Emily Eden
The Semi-Detached House by Emily Eden
Half of a Yellow Sun by Chimamanda Ngozi Adichie
Americanah by Chimananda Ngozi Adichie
Purple Hibiscus by Chimanada Ngozi Adichie
That Thing Around Your Neck by Chimanada Ngozi Adichie
Autumn by Ali Smith
Swing Time by Zadie Smith
4 3 2 1 by Paul Auster
History of Wolves by Emily Fridlund
Exit West by Mohsin Hamid
Elmet by Fiona Mozley
Lincoln in the Bardo by George Saunders
The Sense of an Ending by Julian Barnes
The Finkler Question by Howard Jacobson
Elizabeth Taylor
The Hothouse by the East River by Muriel Spark
The Mandelbaum Gate by Muriel Spark
Moon Tiger by Penelope Lively
Offshore by Penelope Fitzgerald
The Tenderness of Wolves by Stef Penney
Hilary Mantel
The Luminaries by Eleanor Catton
Harvest by Jim Crace
Harry Potter and the Prisoner of Azkaban by J.K. Rowling
Lady Into Fox by David Garnett
Arnold Bennett
D.H. Lawrence
Radclyffe Hall
J.B. Priestley
Siegfried Sassoon
Miss Mole by E.H. Young
South Riding by Winifred Holtby
Aldous Huxley
L.P. Hartley
The Far Cry by Emma Smith
Margaret Kennedy
Ivy Compton-Burnett
Rose Macaulay
Ulysses by James Joyce
The Lesser Bohemians by Eimear McBride
A Girl is a Half-Formed Thing by Eimear McBride
Eva Trout by Elizabeth Bowen
The Heir by Vita Sackville-West
All Passion Spent by Vita Sackville-West
The Edwardians by Vita Sackville-West
Orlando by Virginia Woolf
No Signposts in the Sea by Vita Sackville-West
The Secret Garden by Frances Hodgson Burnett
Greengates by R.C. Sherriff
Samson Agonistes by John Milton
Knole and the Sackvilles by Vita Sackville-West
The Easter Party by Vita Sackville-West
Grand Canyon by Vita Sackville-West
Dragon in Shallow Waters by Vita Sackville-West
Heritage by Vita Sackville-West
My Name is Lucy Barton by Elizabeth Strout
Anything is Possible by Elizabeth Strout

Tea or Books? #44: Monogamous vs Polygamous, and The Village vs To Bed With Grand Music

After a bit of a hiatus, we’re back with an episode about Marghanita Laski and whether we read one book at a time or many books at once. And because that’s a bit of a mouthful, I’m calling it monogamous vs polygamous. Sorry if you’ve come to this podcast hoping for something else – but stay! We have books.


 

Tea or Books logoWe’ve really missed doing the podcast, so it’s great to be back! Do get in touch to let us know which you’d pick in each category, and any topics you’d like us to cover in future episodes. Our iTunes page is here, and we love reviews from those willing to go through the hoops required to leave them!

Here are the books and authors we mention in this episode (fewer than usual, which either means I forgot to write them down while editing the podcast, or we’ve lost our touch!):

Reading the Rocks by Brenda Maddox
Jane Austen at Home by Lucy Worsley
Contested Will by James Shapiro
The Village by Marghanita Laski
The Osbornes by E.F. Benson
Middlemarch by George Eliot
Henry James
The Road to Middlemarch by Rebecca Mead
Jude the Obscure by Thomas Hardy
The Diary of a Bookseller by Shaun Bythell
Three Fevers by Leo Walmsley
The Mill on the Floss by George Eliot
The Boat by L.P. Hartley
Marching With April by Hugh Charteris
And Even Now by Max Beerbohm
Secrets of a Woman’s Heart: Later Life of Ivy Compton-Burnett by Hilary Spurling
The Story of Classic Crime in 100 Books by Martin Edwards
Vanity Fair by W.M. Thackeray
To Bed With Grand Music by Marghanita Laski
The Village by Marghanita Laski
The Provincial Lady in Wartime by E.M. Delafield
Put Out More Flags by Evelyn Waugh
The Victorian Chaise-Longue by Marghanita Laski
Little Boy Lost by Marghanita Laski
Love on the Supertax by Marghanita Laski
Richmal Crompton
One Fine Day by Mollie Panter-Downes
Dorothy Whipple
Mrs Miniver by Jan Struther
The Heir by Vita Sackville-West
All Passion Spent by Vita Sackville-West

Tea or Books? #43: scientists vs clergymen, and As It Was vs Fair Stood the Wind for France

Scientists! Vicars! H.E. Bates! Helen Thomas!


 
Tea or Books logoWe’re popping in between holidays to record an episode about clergymen and scientists in novels – doubtless missing plenty of them, but thank you for everyone who tweeted in with your suggestions. We’d love to hear more!

In the second half, we discuss Helen Thomas’s memoir As It Was (1926) and H.E. Bates’ novel Fair Stood the Wind for France (1944) – which turn out to have more in common than we feared (and less than we initially thought). It’s quite the rollercoaster, guys.

Do check out our iTunes page, and you should be able to rate and review through iTunes apps and maybe podcast apps and one day I’ll work out how this happens. Below are the books and authors we mention in this episode:

Poldark series by Winston Graham
The Brother Gardeners by Andrea Wulf
The Lost Garden by Helen Humphreys
The Chateau by William Maxwell
The Boat by L.P. Hartley
The Go-Between by L.P. Hartley
A Perfect Woman by L.P. Hartley
Instead of a Letter by Diana Athill
The Warden by Anthony Trollope
Barchester Towers by Anthony Trollope
Emma by Jane Austen
Pride and Prejudice by Jane Austen
Northanger Abbey by Jane Austen
Mansfield Park by Jane Austen
Gilead by Marilynne Robinson
As For Me and My House by Sinclair Ross
The Poisonwood Bible by Barbara Kingsolver
Diary of a Provincial Lady by E.M. Delafield
Frost at Morning by Richmal Crompton
The Rector’s Daughter by F.M. Mayor
The Vicar’s Daughter by E.H. Young
The Clergyman’s Daughter by George Orwell
Agnes Grey by Anne Bronte
Under the Rainbow by Susan Scarlett
Clothes-pegs by Susan Scarlett
A Room With a View by E.M. Forster
Oscar and Lucinda by Peter Carey
Tess of the D’Ubervilles by Thomas Hardy
The Pastor’s Wife by Elizabeth von Arnim
Frankenstein by Mary Shelley
Dr Jekyll and Mr Hyde by Robert Louis Stevenson
The Woman in White by Wilkie Collins
Remarkable Creatures by Tracy Chevalier
To The River by Olivia Laing
Appius and Virginia by G.E. Trevelyan
Hackenfeller’s Ape by Brigid Brophy
Dangerous Ages by Rose Macaulay
Agatha Christie
Oliver Sacks
Wives and Daughters by Elizabeth Gaskell
The Morning Gift by Eva Ibbotson
Middlemarch by George Eliot
The Diving-Bell and the Butterfly by Jean-Dominique Bauby
The Island of Dr Moreau by H.G. Wells
The Time Machine by H.G. Wells
Margaret Atwood
Famous Five series by Enid Blyton
As It Was by Helen Thomas
Fair Stood The Wind for France by H.E. Bates
Edward Thomas
World Without End by Helen Thomas
The Darling Buds of May by H.E. Bates
Love for Lydia by H.E. Bates
Under Storm’s Wing by Helen Thomas
To Bed With Grand Music by Marghanita Laski
The Village by Marghanita Laski

Tea or Books? #38: male characters by women vs female characters by men, and Mrs Palfrey at the Claremont vs At The Jerusalem

Elizabeth Taylor, Paul Bailey, and a bit of a debate about male and female characters. Here’s episode 38 – which is unusually short, but hopefully fun nonetheless. I’ve left in an amusing moment of drama…


 

Tea or Books logoMany thanks to Kaisha for suggesting men written by women vs women written by me – we had fun discussing it, and very much welcome everybody’s feedback. For the second half, we debate two books about old people’s homes – Mrs Palfrey at the Claremont by Elizabeth Taylor and At The Jerusalem by Paul Bailey, which have a sort-of connection that readers of Virago Modern Classics introductions might have cottoned on to.

Do let us know any topics you’d like us to discuss – and which you’d pick from each category. Check out our iTunes page over here – ratings and reviews through iTunes or podcast apps always much appreciated. And hopefully we’ll back with a special guest next time…

Books and authors we mention in this episode are as follows…

The Sleeper Awakes by H.G. Wells
Ann Veronica by H.G. Wells
The Time Machine by H.G. Wells
Don’t Tell Alfred by Nancy Mitford
Love in a Cold Climate by Nancy Mitford
The Pursuit of Love by Nancy Mitford
Pamela by Samuel Richardson
Clarissa by Samuel Richardson
Ian McEwan
Memoirs of a Geisha by Arthur Golden
Gilead by Marilynne Robinson
Mrs Harris series by Paul Gallico
Miss Hargreaves by Frank Baker
Jacob’s Room by Virginia Woolf
Mrs Dalloway by Virginia Woolf
Orlando by Virginia Woolf
Provincial Lady series by E.M. Delafield
Ian and Felicity by Denis Mackail
Charles Dickens
Can You Forgive Her? by Anthony Trollope
The Eustace Diamonds by Anthony Trollope
The Warden by Anthony Trollope
Barchester Towers by Anthony Trollope
Sybil by Benjamin Disraeli
Adam Bede by George Eliot
The Professor by Charlotte Bronte
Shirley by Charlotte Bronte
Elizabeth Gaskell
Vanity Fair by William Makepeace Thackeray
The Girl With Glass Feet by Ali Shaw
V.S. Naipaul
The Go-Between by L.P. Hartley
Mrs Palfrey at the Claremont by Elizabeth Taylor
At The Jerusalem by Paul Bailey
Ivy Compton-Burnett
Memento Mori by Muriel Spark
Anne of Green Gables by L.M. Montgomery
Daddy Long-Legs by Jean Webster

Tea or Books? #21: children narrators vs adult narrators, and Shakespeare comedies vs tragedies


 
Tea or Books logoShakespeare! That’s right, we’re getting very classy and/or GCSE English in our discussion of his comedies and tragedies – following a fairly haphazard chat about child narrators vs adult narrators. This is what happens when Rachel only tells me the topic we’re going to cover mere moments before we start recording.

We’re always on the look-out for suggestions for future episodes (srsly, we’re running out) – so let us know in the comments if you have any thoughts. You’ll definitely get a name check – unlike poor Faith, whose suggestion of child narrators we forget to properly appreciate. Thanks Faith! I thought Rachel probably hadn’t come up with the topic herself.

Here are the books and authors we talk about in this episode:

The Cazalet Chronicles by Elizabeth Jane Howard
This is Sylvia by Sandy Wilson [NB not the title I said!]
The Old Wive’s Tale by Arnold Bennett
Literary Taste: How to Form It by Arnold Bennett
To Kill a Mockingbird by Harper Lee
David Copperfield by Charles Dickens
Room by Emma Donoghue
The Great Western Beach by Emma Smith
The Curious Incident of the Dog in the Night-Time by Mark Haddon
The Go-Between by L.P. Hartley
The Catcher in the Rye by J.D. Salinger
I Capture the Castle by Dodie Smith
Guard Your Daughters by Diana Tutton
Atonement by Ian McEwan
Five Quarters of the Orange by Joanne Harris
The Lovely Bones by Alice Sebold
Adrian Mole series by Sue Townsend
Double Act by Jacqueline Wilson
Enid Blyton
William series by Richmal Crompton
Alfred and Guinevere by James Schuyler
Macbeth by William Shakespeare
Taming of the Shrew by William Shakespeare
Moliere
Othello by William Shakespeare
Much Ado About Nothing by William Shakespeare
The Comedy of Errors by William Shakespeare
As You Like It by William Shakespeare
A Midsummer Night’s Dream by William Shakespeare
Hamlet by William Shakespeare
Titus Andronicus by William Shakespeare
Coriolanus by William Shakespeare
The Winter’s Tale by William Shakespeare

Tea or Books? #2: long vs. short books, and The Catcher in the Rye vs. The Go-Between


Tea or Books logoWelcome to the second episode of our podcast! In this episode, Rachel and I are discussing long books vs. short books and The Catcher in the Rye vs. The Go-Between. Buckle up; it’s a long episode. We certainly loved having our chat. AND I got a new mic, and… well, the editing time was certainly cut down drastically. We’re getting there!

You can listen by clicking on the audio above, or (hopefully!) on iTunes. I don’t know how this RSS feed thing works, but the episode should appear if you search for Tea or Books? on iTunes, or here. (It’s not there just after I published, but I assume these things take a while to register.) (UPDATE: it worked!)

The books we mention in this episode, in case you’re listening and want to nab one of recommendations, are…

Gillespie and I – Jane Harris
Wolf Hall – Hilary Mantel
Bloomsbury’s Outsider – Sarah Knights
Wartime: Britain 1939-1945 – Juliet Gardiner
The Goldfinch – Donna Tartt
The Secret History – Donna Tartt
The Luminaries – Eleanor Catton
The Little Stranger – Sarah Waters
On Chesil Beach – Ian McEwan
Black Dogs – Ian McEwan
Being Dead – Jim Crace
The Love-Child – Edith Olivier
Lady Into Fox – David Garnett
Love of Seven Dolls – Paul Gallico
Flowers for Mrs Harris – Paul Gallico
Of Mice and Men – John Steinbeck
The Prime of Miss Jean Brodie – Muriel Spark
Anna Karenina – Leo Tolstoy
Pride and Prejudice – Jane Austen
Wuthering Heights – Emily Bronte
Letters of the Mitford Sisters
A Curious Friendship – Anna Thomasson
Germany: Memories of a Nation – Neil MacGregor
Virginia Woolf – Hermione Lee
Jane Eyre – Charlotte Bronte
The Warden – Anthony Trollope
Barchester Towers – Anthony Trollope
Can You Forgive Her? – Anthony Trollope
Our Mutual Friend – Charles Dickens
The Moonstone – Wilkie Collins
David Copperfield – Charles Dickens
To Kill a Mockingbird – Harper Lee
The Go-Between – L.P. Hartley
The Catcher in the Rye – J.D. Salinger
The History Boys – Alan Bennett
My Salinger Year – Joanna Rakoff
I Capture the Castle – Dodie Smith
Guard Your Daughters – Diana Tutton
The Death of the Heart – Elizabeth Bowen
A House in Paris – Elizabeth Bowen
Virginia – Jens Christian Grøndhal