Anne Frank’s Diary: the graphic adaptation (Novella a Day in May #31)

I made it! 31 days, and 31 books – admittedly some of them played fast and loose with the definition of ‘novella’, not least this final one. But what a fun time it has been, and has brought out some real gems – A Jest of God by Margaret Laurence was definitely top of the pile, but some other wonderful books alongside. Thank you so much, Madame Bibi, for creating this challenge and for doing it alongside me. It’s been really fun to see what you read, where we overlap, and where there are massive differences. I’m running out of novellas on my shelves now, but already looking forward to next year.

Today, I read a graphic work of non-fiction – Anne Frank’s diary, adapted by Ari Folman and illustrated by David Polonsky. I think it came as a review copy back when it was published in 2018, and I’m so glad I finally read it.

You doubtless all know Anne Frank’s story, and have read her diary – one of the great works of the 21st century, in my opinion, documenting life in a hidden annexe for a group of Jewish family and friends in Amsterdam. What makes the original book so incredible is all here – the extraordinary and the everyday, the teenage girl struggling against her parents’ authority and finding first love – and the girl who knows one wrong move would lead to them all being murdered. She is perceptive, witty, thoughtful, hopeful. And Folman does a brilliant job of keeping that all here.

It is shorter than the diary, of course, and mostly given in typical graphical novel ‘cartoon strip’ style, though some pages are given over to full entries. Polonsky’s illustrations capture the portrait we know so well, and convey the character and spirit of Anne.

In some instances (as explained in an afterword), they have condensed many entries into one illustration – for instance, Anne often compares herself to her sister, and obsesses over their differences. That was turned into this page:

Anne Frank's Diary: The Graphic Adaptation by Ari Folman

I was a bit worried that this would be odd or gimmicky, or take away from the extraordinary original. But I think it’s a moving and beautiful way to re-encounter Anne’s story – a new angle on that testimony to man’s inhumanity to man, and yet the survival of humanity in the darkest of situations.

I’d Rather Be Reading by Anne Bogel – #NovNov Day #23

I went to my reliable books-about-reading shelf for today’s book – well, it’s not so much a shelf as the worktop in my kitchen, because readers in small flats have to use every spare inch of space for books. I love Anne Bogel’s podcast ‘What Should I Read Next?’ and have twice (unsuccessfully) applied to appear on it. But I hadn’t yet read this little book about reading, which my dad got for my Christmas present a few years ago.

In it, Bogel does what she does on the podcast – shares an infectious love of reading. It’s not the most personal-memoir-esque book in this genre, though there are moments which reveal how books have been there for her in crises and in joyful circumstances, and a little about what reading means to all the members of her family.

Bogel casts her net a bit wider – writing in a way that is deeply true to her own life as a reader, but likely to be very similar for many readers (perhaps only some titles changed, and some ages shifted up or down a few years, and a slightly different progression of career, family, education). She writes about how books have meant different things to her at different times, how she deals with buying vs borrowing books, the first time she sobbed at a book – and the books she sobs at now, and how rewarding a reading twin can be – notably not the same as a twin who reads, but rather someone with very similar tastes to you. As I can attest, this is unlikely to be your actual twin.

I loved a couple chapters of humorous lists – one on how to organise your bookshelves, which is certainly not as straightforward as that sounds, and another on bookworm problems. Here are a couple of quotes from that chapter:

You’re at a killer used book sale and can’t remember if you already own a certain title You decide you do and come home. You were wrong and regret your lost chance. You decide you don’t and come home and shelve your newly purchased third copy. You accidentally buy two of the same book at the book sale.

And

You accept that it’s time to cull your personal library. You lovingly handle each book, determining if it brings you joy. It does. They all do. You are full of bookish joy, but still woefully short on shelf space.

I’d Rather Be Reading is a lovely little book – full of bookish joy. It isn’t as idiosyncratic or personal as some books about reading, and perhaps for that reason won’t be quite as memorable in its details – but it’s the perfect book to reassure any devoted reader that they are not an anomaly in the world, and that plenty of other people feel exactly the same.

Notes to Self by Emilie Pine

One of the flourishing genres that I like is the personal essay. I love it when they’re funny (Casey Wilson’s The Wreckage of My Presence is one of the best things I’ve read this year), but I also enjoy them when they’re more poignant. And lordy me, Notes to Self (2018) by Emilie Pine certainly isn’t a laugh a minute – but it is very, very good.

I think I saw a few people reading it on Instagram last year, and added it to my Christmas list – many thanks Mum and Dad for buying it for me. It’s a collection of six essays which are more or less all about trauma, of one sort or another. The first is about her father – an alcoholic who won’t admit the severity of his problem, and who has escaped his family in Ireland to live a chaotic life on Corfu. Pine flies out when she hears that he is desperately ill.

They call him ‘the Corpse’. He’s attached to machines that monitor his heart and other major organs. He has two IV lines, though the nurses struggle to find a vein that will take them as he has lost so much blood. He is barely awake most of the time. We’re oblivious to his nickname until a Greek visitor lets us in on the joke. Typically, as with most things concerning Dad, it’s both funny and not funny. Nobody, not even the nurses, thinks he’s going to live through this. And yet – he refuses to die.

Like all the essays in the collection, this one – ‘Notes on Intemperance’ (which, fittingly, I misread as ‘Notes on Impermanence’) – is a beautiful, steady unravelling of a topic. Pine’s writing is so steady. Even when she is discussing deeply emotional topics, she takes her time to unwrap them, layer by layer. By the time she has exposed the heart of the issue, whether that be her father’s alcoholism or her parents’ separation or rape and sexual assault, it is the logical conclusion of a series of keenly observed steps. And it is all the more striking because of that.

Pine writes plainly and without many literary flourishes. It means, when the occasional metaphor or imagery comes, it is extremely powerful. She waits until there is exactly the right one to illuminate the moment, and it jolts the reader in the way that really good imagery should. Sometimes it is isn’t even a metaphor, really, just a powerful combination of words. I noted down this excerpt from an essay on trying to have children, as an example of writing which comes together so neatly and effectively:

Maybe if I were more easy-going. More placid. More, well, more maternal, all cuddly and warm. Maybe if I were completely different, if I could swap out every cell, and gene, and chromosome in my body, maybe then this would work. In the early hours of the morning, unable to find sleep, I realise that what I’m trying to be cured of is being me.

That essay, ‘From the Baby Years’, is perhaps the best in the collection in my opinion. She manages to convey the sustained periods of hope and disappointment, as well as a miscarriage and other friends and relatives experiencing trauma related to childbirth. Pine never wallows in despair, but recognises it as the fundamental part of human experience that it so often is. Indeed, it’s impressive that a book this weighted with grief and trauma doesn’t feel heavy – even when it is heartbreaking or infuriating. And I think that’s because of the careful simplicity with which Pine writes the essays.

All in all, a brilliant book – not for every mood, but it is an oddly beautiful experience to share these pages with someone as vulnerable and honest and profound as Emilie Pine.

Becoming by Michelle Obama

I think it’s fair to say that my reading isn’t the most zeitgeisty. I usually only read a small handful of books published in the year I’m reading them, increasingly new non-fiction. But when I had audiobook credit towards the end of last year, I decided to spend it on one of the year’s bestsellers – Michelle Obama’s autobiography, Becoming (2018). All 19 hours of it.

Those 19 hours were read by Obama herself – which was one of the reasons I was keen to get it, as I love her voice. And, yes, she reads very well; I’d certainly recommend this way of experiencing the book.

The book takes us from Obama’s earliest memories through to leaving the White House and the inauguration of Donald Trump – and the most amazing thing about it is her astonishing powers of recall. Steadily, step by step, she takes us through every stage of her life – seeming to remember vividly what she experienced and thought at each part. She gives the same rigorous attention to (say) watching her father suffer with MS, or her path to getting into law school, as she does the minutiae of her husband’s rise to the White House. It is all-engrossing, and throughout she reflects with wisdom, thoughtfulness, and clear-sightedness about her own journey – and how this has been influenced by being a black woman.

Clear-sightedness is, indeed, the hallmark of Obama’s writing. My favourite parts of the book were probably her view of the first election campaign – as Obama fought first for the Democratic nomination and then for the presidency. While obviously wanting her husband to win, and believing he would be the best choice for the job, she has no illusions about the downsides of campaigning and the way opponents and the press manipulate everything. She says at the beginning and end of the book that she is not a political person and has seen nothing over the past ten years to change her mind – no, she isn’t going to run for president – and my heart ached with sympathy for somebody thrust into this position she would not have chosen. With her blessing, of course, but not with joy.

Anybody interested in how politics works in America will find the campaign trail section extremely interesting, and I can’t imagine anybody else has written about it from quite her perspective (or, frankly, with her humanity and wisdom). The same is true for life as First Lady – from how she wanted to use the role for the nation’s good to how she tried to ensure that her daughters’ lives were as normal as humanly possible.

It closes with her hopes for the future. She is refreshingly open about her disdain for Donald Trump (which dated back to his endangering her family’s lives through his ‘birther’ attacks, which led to a gunman attacking the White House) – like many of us in and out of America, she couldn’t believe that America had seen him for what he was and chosen him.

The book is certainly long and every anecdote is thorough and detailed, even when it adds only background detail. But it works – all the details come together to show you who Michelle Obama is. And the only mystery I leave with is that somebody so modest, selfless, and unbombastic came to be persuaded to write an autobiography at all. She suggests it is to show other young black women what they can achieve. Well, I’m very pleased she did – and I think the book will continue her good work.

Mrs Gaskell & Me by Nell Stevens

I love a book about reading, and I love a biography where the biographer’s experience is part of the story. And so I was really pleased when Picador sent me a review copy of Nell Stevens’ new book Mrs Gaskell & Me. I’d heard of her book Bleaker House but not read it yet – still, this sounded so up my street that I couldn’t resist starting it almost immediately, Century of Books be hanged.

The book is in two parallel timelines. In one timeline, Elizabeth Gaskell has written a controversial biography of her friend Charlotte Bronte, and is heading off to Rome at the time of publication. In the other timeline, Nell Stevens is writing her PhD thesis about Gaskell. Both of them have romantic entanglements of some variety – Gaskell is charmed by the, indeed, charming Charles Eliot Norton; Stevens gets up the courage to tell her friend Max that she’s in love with him, and they start a slightly complex, often long-distance relationship. The parallels are clearly brought to the fore, but they are there nonetheless.

I deliberately didn’t look up anything about Gaskell’s life, because I didn’t want to know how much was documented and how much Stevens imagined. Much like ‘Nell Stevens’ herself in this book, it is a fictionalised version – or, rather, a selective and edited version. Every biography or autobiography is that, naturally, but I suspect Stevens had to edit a little more than most to make parts cohere.

While she writes well about Gaskell’s adventures, and imaginatively makes us feel like we are watching these tense moments of her life, I have to admit that I was drawn a lot more to the sections about Stevens’ own life. Perhaps any dual narrative will inevitably lead us enjoying one more than the other – I do find, in a novel, that the balance is more easily struck with three. In the strand that follows Stevens’ life, she writes with striking vividness about her romance – sometimes awkward, sometimes secure, sometimes fraught – and juggling it alongside writing her PhD thesis. Normally I find fiction or non-fiction about romance a bit tedious (unless it’s a romcom movie, then I’m right in) – but Stevens manages to write about her emotional experiences without being too vague or claiming too much worldwide significance for them – the two pitfalls people often fall into. By contrast, when she writes about Gaskell’s emotional life, the guesswork shows through. It’s all quite plausible, but inevitably loses some of the vitality that makes her sections so engaging. (I did like what she wrote about the reception to Gaskell’s life of Charlotte Bronte, though – I hadn’t known it was such a scandal.)

And then there is all that she writes about the academic student life. Perhaps I enjoyed this mostly because it reminds me my own doctorate, and the highs and lows of academic research – dealing with expectations, wondering about the future, revelling in the highs when research unearths gems, and panicking because nothing seems to cohere. Though Stevens’ course had a lot of expectations – she seemed to have substantial work and a strong idea of where she was going almost immediately. I didn’t really know where my thesis was going for at least 18 months.

The main divider in whether or not you’ll enjoy this is: do you like the fourth wall broken? This is all meta – all about the author, and doing the research, and breaking that wall. I love it and, if anything, would have welcomed more. The Gaskell bits held my attention, but it was the “and me” that made me really love this book. And, indeed, I’d bought a copy of Bleaker House before I got to the end.

Any Ordinary Day by Leigh Sales

As the year draws to a close, I seem to be drawn to more new books than usual – to the detriment of A Century of Books. One area in which I’m particularly allowing myself to go rogue is audiobooks. While I am ticking off some ACOB years with it, I’m also going earlier (thanks to the copyright-free restrictions of Librivox) and later (thanks to… my wish to read the books in question).

I’ve been listening to the Chat 10: Looks 3 podcast for a while, hosted by Annabel Crabb and Leigh Sales. Those names meant nothing to me and, indeed, it was a while before I realised they were famous outside of the podcast – which was recommended to me by an Australian colleague. And, indeed, Australians will probably recognise those names as journalists/presenters/newscasters/etc. Leigh Sales presents a flagship news programme, but in a recent episode of Chat 10: Looks 3 (which is always hilarious) she talked about finding time to write her new book – Any Ordinary Day (2018).

The book stems from the idea that life-changing moments happen out of nowhere – that people get up, get dressed, leave the house as they do on any other day. And then the extraordinary happens, potentially ending their lives. Sales first thought about this when she experienced a life-changing event herself: a uterine rupture, while pregnant with her second child. Thankfully she had gone to the hospital earlier, with unfamiliar pains – and thus was able to be rushed straight to surgery, and survived something that is usually fatal. In the midst of other dramatic or traumatic family events, it put her in mind of speaking to people who experience or witness the extraordinarily tragic.

That ‘witness’ is fascinating, but let’s start with the ‘experience’. She speaks to the man whose wife and two children were murdered in the Port Arthur Massacre; she speaks with a woman who was in the Lindt cafe siege and has MS – with someone who lost his first wife in an avalanche and his second to cancer; with a man who survived over a month stranded in a snowdrift; with someone whose husband was murdered by his schizophrenic son. There is a panoply of grief and tragedy here.

Many of the names are famous, particularly in Australia – and that is part of what makes her conversations with them so interesting. People are changed by these things happening to them, or to people they love. But they are also expected to remain in a stasis of grief. The Port Arthur widow related people asking “Oh, you’re over it, then?” if they saw him laughing in public – as though being over that sort of event were possible. The man lost in the snow has had to live with a curious urban myth about a Mars bar in his bag – perhaps this will mean something to Australian readers! – and tells Sales that people joke about that Mars bar to him at least once a week. Discovering the after effects of these extraordinary moments is saddening in a wide range of ways but so interesting.

And then there are the people who walk alongside the mourners, or work with them. Some of the most fascinating parts of Any Ordinary Day were when Sales interviewed people whose jobs are connected with people’s most tragic days – particularly the empathetic, wise woman who worked in a morgue and accompanied those who had to identify dead bodies. In a similar vein, she speaks with the police officers who have to inform people that their loved ones have died, and a priest who particularly helped one widow. The meeting of ordinary and extraordinary is so unusual, and Sales writes about it brilliantly. This is their livelihoods; the other people engaged in each day will never forget the encounter.

Along the way, Sales tries to find out answers – how people cope with these events; if they try to find any reason in them; what responses are most likely to lead to emotional recovery. I had never heard of post-traumatic growth, but apparently it’s much more likely than the much-more-talked-about PTSD.

Several of the people Sales meets are Christians, and (as a Christian myself) I found it really interesting to see how she responded to that, as somebody predisposed to scepticism. She is a little patronising to them at times, and conflates the idea of a sovereign God with “this was meant to be” – the problem of evil and suffering is, of course, endlessly complex – but I thought it was intriguing how often she came upon people of faith.

Having said that, her writing and interviewing is extremely sensitive and thoughtful. Being a big name in the Australian media has granted her access to many people who might not speak out otherwise, and she draws together the stories and threads extremely well. It is not trying to be sensational, nor answer all the big questions – but by introducing the questions (and, indeed, some less eternal questions – like the idea of media intrusion and journalistic integrity) she creates a very good book. My biggest take away was the extraordinary bravery of survivors, kindness and wisdom of those who have helped them, and troubling way that the media and public at large treat tragedies. No answers, perhaps, but definitely worth a read to explore the issues – and I can definitely recommend the audiobook, narrated by Sales herself.

Bookworm by Lucy Mangan

I heard about Bookworm (2018) by Lucy Mangan on Twitter, I think, or perhaps another blog – but as soon as I’d heard the subtitle (‘a memoir of childhood reading’) I knew that I had to read it. I think it was in a Weekend Miscellany. Thankfully Square Peg sent me a copy, and I wolfed it down – it’s very hard to imagine any bibliophile not loving this book. Though I also said that about Howards End is on the Landing, and look what happened there. No matter; I’m going to maintain full confidence with this one.

Mangan was a very bookish child – in the way that only those of us who were also very bookish children will understand. Books were her sanctuary, her new worlds, her adventure, her heartbreak. This total immersion, and self-definition as a bibliophile, is the keynote of Bookworm, and it will make every avid childhood reader thrill with recognition. We feel her pain when reading is socially unacceptable in the playground, and when her parents restrict her reading to certain rooms, to encourage her to be more sociable. (Yes, reading at the dinner table was – is? – banned in my home. And yes, like Lucy I turned to cereal packets or anything else I could read, when desperation hit.)

Through the chapters, Mangan takes us from her earliest reading memories until the end of childhood. To be honest, the tales of picture books interested but did not beguile me. I don’t remember which picture books I read – except the Mr Men, and I don’t think they got a single mention in Bookworm. Was Mangan born slightly too early for them? But once we got onto other books – well, firstly it was a nice surprise to discover that I have read more classic children’s literature than I’d supposed – but mostly, it’s wonderful to read how well Mangan describes the all-encompassing experiences these books were.

Enid Blyton gets a section (hurrah!) – without a doubt the defining author of my childhood. Narnia gets a section, as do Little Women, Roald Dahl, Richmal Crompton’s William books, and both books that Rachel and I are discussing in the next episode of the podcast – The Secret Garden and Tom’s Midnight Garden. Even Sweet Valley High, with which I was obsessed for a couple of years. Even if you haven’t read these books, the enthusiasm with which she remembers them is a delight, and mixes frothy enthusiasm with plenty of reflection and contemplation. Occasionally the tone becomes a little too self-consciously Caitlin Moranesque, and the odd sentence reads a little awkwardly – the bookish kid trying to fit in with the cool gang – but most of the time she isn’t trying stylistic tics; she’s just revelling in the absolute joy that books can be. (There are also one or two tedious moments against Christian faith, and one truly shocking anti-Catholic moment that should certainly have been cut, but I’ll tidy those under the rug for now.)

Along the way (because it is a memoir of sorts, after all) we learn about her character, her friends, her family. I loved the way her father would occasionally suggest a book, with a subtle gleam that acknowledges that this is a book he loved in his childhood. I loved the depiction of a slightly anxiously moralistic child, who definitely didn’t want to read anything anarchistic or rule-breaking in books (no thank you Fantastic Mr Fox). It reminded me of my own fastidiousness as a child, that made me unable to enjoy The Twits (the idea of the food in the beard still makes me gag).

And mostly I just loved with a wonderful nostalgic journey this. I love any book about reading, but one about the world-opening potential of reading to a child is rather lovely. And it’ll certainly lead you heading straight for the children’s section of the library, to relive all the classics that filled your world and expanded your imagination however many years ago.