Bewildering Cares by Winifred Peck – #1940Club

Goodness knows when I bought Bewildering Cares by Winifred Peck, but it was probably the best part of 15 years ago. Thank goodness for these reading clubs for making me pay attention to the books waiting on my shelves, as I really enjoyed this novel – subtitled ‘a week in the life of a clergyman’s wife’.

Parts of it were published ‘in rather a different form’ (whatever that means) in the Guardian before being collected into a book – which must have happened rather quickly, as it is set in the spring of 1940 and published before the end of that year. Of course, the Second World War moves quickly – and the period it is set in is before Blitzkrieg. It was while war might still feel far off, though still affecting everyday lives in numerous ways, of course. As Peck writes in a little author’s note at the beginning, ‘perhaps the thinks she [the diarist] cares for are coming to seem more, and not less, precious’.

The things she cares for are the lives and squabbles of a community of churchgoers. It all feels very like provincial village life, and indeed Provincial Lady-esque, except she mentions in passing that the population of Stampfield is about 60,000 – more than 200 times the number of people living in my village. But somehow, even in a fairly significantly sized town, everybody seems to know one another and be keenly involved in the details of each other’s lives.

Camilla is the vicar’s wife keeping the diary over the course of the week. It’s not really in diary form, except for aping the popularity of the Provincial Lady technique – and we have a similar range of characters. She has done better than the PL in the husband department – Arthur is kind, gentle, and a little incapable. Much of Camilla’s life seems to be spent in stopping him giving away all their money or shielding him from the criticism of locals. They have an adult son, Dick, who is a soldier but not yet deployed. Their maid is Not What Maids Were Before The War, and Camilla seems to do much of the housework themselves, but they consider her part of the family and tolerate her constantly going to see her boyfriend (who dangles the threat that he might be sent to the front at any moment).

One of the chief interests in reading books from 1940 is seeing a particular moment in wartime. There are little details, like ‘”the pink form” (which has, Dick tells me, a far less polite adjective in the Army)’ – which Peck’s original audience would have understood, I suppose, and seems to have been something connected with income replacement for the wives of soldiers? (I’ve only been able to find this post which mentions the pink form in WW1, which is something rather different.) As Camilla writes:

Like everyone else in Europe, we have lived for these last two years as people who know a thunderstorm is coming, and now the storm is raging all the time, though the lightning has not struck Dick nor ruined our cities yet, and the only thing to do is to turn away from the windows at odd moments and try to forget, as best you may, if you wish to keep your reason.

Despite war being a constant, Camilla notes that people aren’t truly interested in each other’s experiences of it: ‘”What news have you of Dick?” (Everyone asks this, and no-one ever waits for an answer, I notice. Soldiers aren’t news in this war.)’ They are rather more preoccupied with their own local issues – and one of the chief of these in Bewildering Cares is the curate Mr Strang, and a sermon he has recently given in favour of pacifism. People are furious, and Arthur and Camilla find themselves called upon to disown the curate or remonstrate with him in some way. Camilla, in particular, has no wish to do anything so drastic, and spends a lot of the book ingeniously disengaging from conversations with irate parishioners.

It is very quaint to imagine a time when a sermon could become the talk of a town. I certainly enjoyed the theme of faith in Bewildering Cares, and the ways that Camilla writes genuinely and undramatically about her prayer life and relationship with God, as well as the behaviour of other people in the church community. It’s so rare to find Christian faith written about sensitively or sincerely – or even unsneeringly – in recent fiction that I really appreciated how Peck incorporates it into the novel as a fundamental and stable part of Camilla’s life. Peck also writes so well about the mixed feuding and kindness of church communities that I have to assume she was part of one. I even expected that her husband had been a vicar, but apparently he was a schools inspector and later Education Minister in Scotland.

Another lovely feature of Bewildering Cares is seeing mention of other middlebrow authors. Camilla, like so many literary heroines whom we are expected to have some affinity with, is a keen reader and mentions Angela Thirkell, Dorothy Whipple, and Charlotte M. Yonge among others. These sorts of things might feel a bit forced in a historical novel, but much more natural from someone at the time.

Overall, Peck doesn’t have quite the charm and humour of the Provincial Lady, but then who does. I still loved reading Bewildering Cares, learning a bit more about the home front in 1940, and spending time in the company of a heroine whom it was easy to consider a friend.

Tea or Books? #55: Versatility vs Dependability and House-Bound by Winifred Peck vs The Priory by Dorothy Whipple

Dorothy Whipple, Winifred Peck, and authors who hop genres – welcome to episode 55!


 
In the first half of this episode, Rachel and I discuss a topic suggested by my friend Paul (thanks Paul!) – versatility vs dependability. Well, the way he phrased it was ‘would we buy a book by an author we liked if it was in a different genre’, and we interpreted it into a question that was easier to type into a subject line.

In the second half, we look at two novels from around the same period – House-Bound (1941) by Winifred Peck and The Priory (1939) by Dorothy Whipple – both of which have been republished by Persephone.

You can support the podcast at Patreon (a Patreon-exclusive blooper reel coming soon!), and visit our iTunes page. You can rate and review through the iTunes app or podcast apps, etc. Do get in touch if you’d like to suggest topics – we always love that.

The books and authors we mention in this episode are:

An Anthropologist on Mars by Oliver Sacks
Family Man by Calvin Trillin
The Book of Laughter and Forgetting by Milan Kundera
Happy Returns by Angela Thirkell
The Lark by E. Nesbit
Penelope Lively
High Wages by Dorothy Whipple
The Seven Deaths of Evelyn Hardcastle by Stuart Turton
The Hate U Give by Angie Thomas
Dorothy Whipple
Marghanita Laski
Tory Heaven by Marghanita Laski
P.G. Wodehouse
Agatha Christie
Richmal Crompton
Anne Tyler
Olive Kitteridge by Elizabeth Strout
Anything is Possible by Elizabeth Strout
Oryx and Crake by Margaret Atwood
Relatively Speaking by Alan Ayckbourn
Henceforward… by Alan Ayckbourn
Susan Hill
Stephen King
The Beacon by Susan Hill
A Kind Man by Susan Hill
Barbara Pym
Hilary Mantel
Penelope Fitzgerald
Beryl Bainbridge
Straw Without Bricks by E.M. Delafield
Provincial Lady novels by E.M. Delafield
Consequences by E.M. Delafield
Saplings by Noel Streatfeild
Ballet Shoes by Noel Streatfeild
Anthony Trollope
Much Ado About Nothing by William Shakespeare
Hamlet by William Shakespeare
A.A. Milne
William Maxwell
Lolly Willowes by Sylvia Townsend Warner
Miss Hargreaves by Frank Baker
How To Run Your Home Without Help by Kay Smallshaw
Monica Dickens
Someone at a Distance by Dorothy Whipple
Mrs Miniver by Jan Struther
One Pair of Hands by Monica Dickens
Arrest the Bishop by Winifred Peck
Bewildering Cares by Winifred Peck