Unnecessary Rankings! Elizabeth von Arnim

I’m continuing my series on ranking all the books I’ve read by authors I like – I kicked off with Michael Cunningham, and now I’m onto the much more prolific Elizabeth von Arnim. With Cunningham, I’d read everything he wrote – with von Arnim, there is still quite a handful of her novels still sitting unread on my shelves. So if your favourite isn’t in the list, that’s why!

Ok, let’s go – from my least favourite to my most favourite.

14. Elizabeth and Her German Garden (1898)

Sacrilege! I actually like all fourteen of the Elizabeth von Arnim books I’ve read, but this one is in last place perhaps because I had such high expectations. It was such a big deal during her life, since she always appeared as ‘by the author of Elizabeth and Her German Garden’ or ‘Elizabeth’, but I found it didn’t have the spark of her best work.

13. Christine (1917)

Published under the pseudonym Alice Cholmondeley, it was initially marketed as genuine letters from a young English girl studying in Germany during 1914. It is fascinating, but one of her bleakest books.

12. Expiation (1929)

Opinions differ on this one, but I found this novel about adultery to lack the humour that is usually so characteristic of Elizabeth von Arnim. I found it a little wearingly earnest. But Persephone reprinted it and called it ‘laugh-out-loud hilarious’, so you may find that too!

11. Mr Skeffington (1940)

Elizabeth von Arnim’s final novel is about the once-beautiful Lady Skeffington trying to cling onto her appearance – and relive her youth by going to see the many men who have thrown themselves at her feet. I wrote in my review that I’d probably appreciate the book more in fifty years’ time. (Well, forty years now!)

10. In the Mountains (1920)

This is very much a novel of different parts – she starts with a nature-as-idyll description, but I much preferred the second, funnier half where two forceful English widows arrive at the narrator’s Swiss mountain home. In my review, I said: “It was a lovely, slim introduction to many of the things that make von Arnim charming, witty, and with an undercurrent of topical commentary that prevents the mixture being too sweet.”

9. The Adventures of Elizabeth in Rugen (1904)

There are quite a few sequels to Elizabeth and Her German Garden – this is the only one I’ve read, but I definitely preferred it to the original. It’s much funnier, particularly when Elizabeth is trying to avoid her burdensome Cousin Charlotte.

8. The Benefactress (1901)

The Benefactress might be higher if its story – a woman setting up home in Europe with three discontented women, and their gradual changes – hadn’t been done better by a novel we’ll find further up the list.

7. All the Dogs of My Life (1936)

Elizabeth von Arnim’s only autobiographical work is pretty cagey about the bigger upsets in her life, but I still enjoyed it a lot. She writes it through the lens of the different dogs she’s owned, and does rather expose herself as an appalling dog-owner.

6. Fraulein Schmidt and Mr Anstruther (1907)

Told in letters from Fraulein Schmidt (and we have to imagine the replies from Mr Anstruther) von Arnim expertly shows how infatuation can turn to hurt pride and the whole rollercoaster along the way. We really can picture the absent Mr Anstruther and the sorts of letters he probably writes.

5. Introduction to Sally (1926)

An impossibly beautiful young working-class woman is married off to the first man who asks, in a desperate attempt by her anxious shopkeeper father to ‘protect her morals’ – but it turns out that he doesn’t like much else about her. A sort of Pygmalion story, it’s delightfully funny with (as so often with E von A) a searing undercurrent of deeper emotions. Coming from the British Library Women Writers series later in the year!

4. The Caravaners (1909)

Elizabeth von Arnim’s most satirical work is gloriously funny. It’s from the point of view of a German man who can’t see how cantankerous, selfish and unreasonable he is. A few years ahead of the First World War, von Arnim spears German/Anglo relations – it’s the comic sister of Christine.

3. The Enchanted April (1922)

Her best-known work is deservedly loved. Four women head to picturesque Italy, described so enticingly, and go from selfish disunity into something rather idyllic. Saved from the saccharine by von Arnim’s dry wit as a narrator.

2. Father (1931)

Jen is perhaps my favourite creation of von Arnim’s. She leaves her father’s home upon his second marriage, keen to avoid a life of service to him. The novel has a lot to say about the role of women in the 1930s, but Jen is so spirited and naive a character that the whole thing feels joyful even when confronting real issues. So glad we got to do this one as a British Library Women Writers edition.

1. Christopher and Columbus (1919)

Nineteen-year-old twins Anna-Rose and Anna-Felicitas von Twinkler are half-German/half-English are packed off to America by their horrid Uncle Arthur when war breaks out. On the boat, they enchant Mr Twist, inventor of Twist’s Non-Trickling Teapot. Once arrived in America, after a series of events, they open a tea room. I LOVE a tea room plot. The twins’ dialogue is so fun, always sparkling and strange, and von A’s ironic turns of phrase are at their best in Christopher and Columbus. I think it’s still just about in print from Virago, otherwise I’d have tried to snap it up for the British Library, and I’d love to see more people meeting this wonderful cast of characters.

That was fun! Which Elizabeth von Arnims would you put at the top of your list?

Unnecessary Rankings! Michael Cunningham

There is exciting news about a new Michael Cunningham novel coming out next year – called Day – and it has prompted me to do the first in a series that I’ve been thinking about for a while. Anybody familiar with my end-of-year best books lists knows that I love ranking things. And what could be more unnecessary than ranking all the books I’ve read by particular authors?? Well, it might spark some conversations. And Cunningham is a good person to start with, if only because I have actually read all of his books.

So, here we go – some unnecessary rankings of all of Michael Cunningham’s output:

9. Specimen Days (2005)

The only Michael Cunningham novel that I dislike, the three sections of this take place in the past, then the present, and then the robot-future. And are tied together by Walt Whitman. My dislike for science fiction and historical fiction, and my complete ignorance of anything about Whitman, combine to make this one a slog for me (though I did enjoy the section set in the present).

8. A Wild Swan and Other Tales (2015)

Cunningham’s collection of fairy tales takes different angles to the traditional narratives – we see Jack and the Beanstalk from the Giant’s POV, for instance. It was fine, but this is a well-worn path, and there wasn’t much of striking originality here.

7. By Nightfall (2010)

The only reason this one is quite low is that I don’t remember very much about the story – a story of love triangle / struggle between a man, his wife and his brother-in-law? Possibly? The main thing I remember is the clever revelation that a much-feted conceptual artist is actually a bit of a charlatan.

6. Golden States (1984)

Cunningham has more or less disowned his first novel, about a boy travelling across America to try and intervene in his sister’s relationship – but I thought it was very good. You could see all the hallmarks of Cunningham’s writing that would develop further, but it’s a compelling and emotionally sensitive novel on its own terms.

5. Land’s End (2002)

Despite what Wikipedia says, I think this is Cunningham’s only non-fiction book – a memoir of sorts about Provincetown that is also a travelogue or visitors’ guide or something merging all of these.

4. A Home at the End of the World (1990)

This was marketed as Cunningham’s first novel when it was published six years after Golden States, and is the first of Cunningham’s many friends-as-unconventional-family dynamics. As ever, he is brilliant at the relationships between a curious group of people and there is much to love in this coming-of-age story. Colin Farrell, incidentally, was brilliant in an otherwise OK film adaptation.

3. Flesh and Blood (1995)

The top three Cunningham books are all absolute masterpieces. I believe this is his longest, and it covers several generations of a complex family. Cunningham is on his best form in depicting the knotty communication and miscommunication between parents and children and there are many moments of extraordinary beautiful. The best death scene I have ever read in literature.

2. The Snow Queen (2014)

His most recent novel was somehow almost a decade ago – another group of family and friends living unhealthily interdependent, but somehow beautiful, lives together. The premise is that a strange light in the sky gives a character a quasi-religious experience, but really this is a book about community.

1. The Hours (1998)

I think Cunningham is an example of the best book also being the most famous. His clever plotting interweaves Virginia Woolf writing Mrs Dalloway, a 1940s housewife reading Mrs Dalloway, and a 1990s woman whose life mirrors Mrs Dalloway’s. The writing is poetically beautiful but it’s also a page-turner. Even several re-reads in, I race through it.

 

So, there we go! Do you agree with my rankings? Anybody you’d like to appear in a future Unnecessary Rankings??