A couple of Queens of Crime and an important question about what writers should be allowed to write…
In the first half of episode 80, we ask if writers should only write what they know – whether that means their race, gender, or experiences. In the second half we compare and contrast 4.50 From Paddington by Agatha Christie and Whose Body? by Dorothy L Sayers, and find out if I’ve got over my loathing of Lord Peter Wimsey.
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The books and authors we mentioned in this episode are:
The Book of William by Paul Collins
Miss Hargreaves by Frank Baker
Kate Atkinson
Alva and Irva by Edward Carey
Little by Edward Carey
My Caravaggio Style by Doris Langley Moore
Lord Byron
The Call by Edith Ayrton Zangwill
No Surrender by Constance Maud
Not So Quiet by Helen Zenna Smith
The Happy Foreigner by Enid Bagnold
Diary Without Dates by Enid Bagnold
The Tree of Heaven by May Sinclair
The L-Shaped Room by Lynne Reid Banks
The Indian in the Cupboard by Lynne Reid Banks
The Mirror and the Light by Hilary Mantel
J.K. Rowling
Cassandra at the Wedding by Dorothy Baker
William Shakespeare
The Sandcastle by Iris Murdoch
The Sea, The Sea by Iris Murdoch
Memoirs of a Survivor by Doris Lessing
The Fifth Child by Doris Lessing
Dance to the Music of Time by Anthony Powell
The Masters by C.P. Snow
Virginia Woolf in Manhattan by Maggie Gee
The Millstone by Margaret Drabble
The Garrick Year by Margaret Drabble
The Finkler Question by Howard Jacobson
Strong Poison by Dorothy L Sayers
Gaudy Night by Dorothy L Sayers
Hercule Poirot’s Christmas by Agatha Christie
The Body in the Library by Agatha Christie
A Pocket Full of Rye by Agatha Christie
Cards on the Table by Agatha Christie
Loving by Henry Green
The Last September by Elizabeth Bowen